Lucia Di Lammermoor and Rodelinda review: Two stunningly performed classics

There is no uncomfortable outdoor sex this time and the trickling Gothic fountain has been switched off.  Designer Vicki Mortimer’s split-screen staging is still an occasional irritant in dividing attention between Donizetti’s opera in one half and what Mitchell envisages the women are up to in the other.  It’s at its most distracting when we […]