Back aboard the Klingon ship, a white-skinned Klingon named Voq volunteers to “light the beacon,” holding his fist over an open flame to prove his worth. In Klingon culture, white skin is considered “nature’s mistake,” but T’Kuvma has faith in Voq and sends him out to light the beacon. (While we’re here: How do we all feel about Discovery‘s attempt to flesh out the Klingons? There’s some interestingly messy stuff about race and culture happening here, and I’m not sure it’s all handled perfectly yet, but the bold new take on Klingons is at least intriguing, with a lot of storytelling potential, to be sure.)
RELATED The Vulcans learned to always fire first when dealing with Klingons, she explains: “Violence brought respect. Respect brought peace.” It’s called “the Vulcan hello,” she adds. But when the captain declines to fire first, Burnham boldly challenges her: “You have to!” Georgiou pulls the First Officer aside, scolding her for her insubordination, blaming her passion on her past with the Klingons and ordering her to stand down. Burnham seems to agree… but then she gives Georgiou a Vulcan neck pinch, knocking her out! Whaaa…?
Burnham charges onto the bridge, relieving Saru of command and ordering the ship’s photon torpedoes to be targeted and ready. Saru senses this isn’t what the captain wants, declaring, “This is mutiny!” But Burnham says “fire” anyway… just as a dazed Georgiou bursts onto the bridge, saying, “Belay that order!” The captain pulls out a phaser (!) and points it at Burnham, ordering her to stand down. And just then, an entire fleet of Klingon ships arrive as backup. How’s that for a cliffhanger?
Of course, this ending is a transparent attempt to get you to fork over $ 5.99 per month to see how this story plays out. (Episode 2 is available right now only on CBS All Access, as the rest of Season 1 will be.) But if it’s a trick, it’s a damn effective one. I like the serialized approach they’re taking with Discovery, with ongoing arcs and episode-ending cliffhangers that make it an ideal binge-watch.
STAR TREK, BEYOND THE PREMIERE (NO SPOILERS)
Episode 2 is a straight-on continuation of the premiere’s storylines — playing out the shocking Burnham/Georgiou showdown, diving even deeper into Klingon culture/military strategy, tripling down on the whiz-bang effects and teeing up an even bigger cliffhanger than the first, one that steers the narrative in a new direction, starting with Episode 3.
If the first two episodes seem like rather serious stuff even for a modern-day Star Trek series, rest assured that Episode 3 — which is titled “Context Is for Kings” and introduces Jason Isaacs’ Captain Lorca, Anthony Rapp’s Lt. Stamets and Rekha Sharma’s Commander Landry — somewhat remarkably, given the circumstances, introduces lighter, tension-breaking scenes (usually featuring scene stealer Mary Wiseman’s Cadet Tilly)… the occasional belly laugh… a Tribble… instances of Alien-like horror… and more than a bit of mystery. (That latter element, of intrigue, sets the stage for a reveal that recontextualizes some of what we’ve come to suspect as well as suggests a curious new frontier for Discovery to explore.)
All told, Discovery still has some storytelling kinks to work out with the Klingons, and all the breathless action in the first two episodes didn’t leave a ton of room for character development beyond Burnham. But the seeds for a compelling series are definitely there — and, best of all, it feels like Star Trek. That trademark blend of sci-fi action, starry-eyed optimism and high-minded philosophy? Discovery‘s got it. (Thank our lucky stars.)
THE TVLINE BOTTOM LINE: Breathe a sigh of relief, Star Trek fans: Discovery comes out of the gate at warp speed and oozes with storytelling potential.
But what did you think? First, vote in our polls below: Give the Discovery premiere a letter grade, and tell us if you plan to subscribe to CBS All Access to see the rest of Season 1. (New episodes will debut there each Sunday at 8:30/7:30c.) And finally, beam down to the comments to share your extended thoughts on the premiere.
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